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  • āφāĻŦ⧁āϞ āĻšāĻžāϏāύāĻžāϤ āϏāĻŽā§āĻĒāĻžāĻĻāĻŋāϤ
    āĻ•āĻžāĻ‡ā§Ÿā§āĻŽ āϚ⧌āϧ⧁āϰ⧀ āĻ¸ā§āĻŽāĻžāϰāĻ• āĻ—ā§āϰāĻ¨ā§āĻĨ 

    āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ⧇āϰ āĻ…āĻ¨ā§āϝāϤāĻŽ āĻĒā§āϰāϧāĻžāύ āĻļāĻŋāĻ˛ā§āĻĒā§€āϰ āĻœā§€āĻŦāύ āĻ“ āĻ•āĻžāϜ āύāĻŋā§Ÿā§‡ āύāĻžāύāĻž āϜāύ⧇āϰ āφāϞ⧋āϚāύāĻžā§Ÿ āϏāĻŽā§ƒāĻĻā§āϧ āĻāχ āĻ—ā§āϰāĻ¨ā§āĻĨāĨ¤ āϏāĻ™ā§āϗ⧇ āĻ…āύ⧇āĻ• āϰāĻ™āĻŋāύ āĻ“ āĻļāĻžāĻĻāĻž-āĻ•āĻžāϞ⧋ āĻ›āĻŦāĻŋāĨ¤

     500.00
  • āϏ⧇āϞāĻŋāĻŽ āĻŽā§‹āϜāĻžāĻšāĻžāϰ
    āĻŽāĻšāĻžāĻ¸ā§āĻĨāĻžāύ : The Great Land

    āĻŽāĻšāĻžāĻ¸ā§āĻĨāĻžāύ āĻāĻ•āϟāĻŋ āĻĒāĻžāϞāĻžāύāĻžāϟāĨ¤ āĻāχ āύāĻžāĻŸā§āϝ⧇ āχāϤāĻŋāĻšāĻžāϏ, āĻĒ⧁āϰāĻžāĻŖ, āĻ•āĻŋāĻ‚āĻŦāĻĻāĻ¨ā§āϤāĻŋ, āϞ⧋āĻ•āĻļā§āϰ⧁āϤāĻŋ, āϞ⧋āĻ•āĻ•āĻĨāĻž, āϞ⧋āĻ•āĻĒāĻžāĻ  āĻŽāĻŋāϞ⧇āĻŽāĻŋāĻļ⧇ āφāϛ⧇āĨ¤ āĻ āĻāĻ• āĻŽāĻšāĻž āφāĻ–ā§āϝāĻžāύāĨ¤ āĻāĻ•āϟāĻž āĻ­ā§‚āĻŽāĻŋāϰ, āĻāĻ•āϟāĻž āϜāĻžāϤāĻŋāϰ āϜāĻ¨ā§āĻŽ āύ⧇āĻŦāĻžāϰ, āĻ—ā§œā§‡ āĻ“āĻ āĻžāϰ, āϏāĻŽā§āĻĒā§‚āĻ°ā§āĻŖ āĻšāĻŦāĻžāϰ āφāĻ–ā§āϝāĻžāύāĨ¤

     250.00
  • āĻŽā§āĻ°ā§āϤāϜāĻž āĻŦāĻļā§€āϰ
    āĻŽā§āĻ°ā§āϤāϜāĻž āĻŦāĻļā§€āϰ: āĻŽā§‚āĻ°ā§āϤ āĻ“ āĻŦāĻŋāĻŽā§‚āĻ°ā§āϤ

    āĻŽā§āĻ°ā§āϤāϜāĻž āĻŦāĻļā§€āϰ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ⧇āϰ āĻ…āĻ—ā§āϰāĻ—āĻŖā§āϝ āϚāĻŋāĻ¤ā§āϰāĻļāĻŋāĻ˛ā§āĻĒā§€āĨ¤ āĻļāĻŋāĻ˛ā§āĻĒāϚāĻ°ā§āϚāĻžāϰ āĻĒāĻžāĻļāĻžāĻĒāĻžāĻļāĻŋ āϤāĻŋāύāĻŋ āφāϰāĻ“ āĻŦāĻšā§ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āϤāĻžāρāϰ āϏ⧃āĻˇā§āϟāĻŋāĻļā§€āϞāϤāĻžāϰ āĻĒāϰāĻŋāϚ⧟ āϰ⧇āϖ⧇āϛ⧇āύāĨ¤ āĻ āĻŦāĻ‡ā§Ÿā§‡ āϤāĻžāϰāχ āϏāĻžāĻ°ā§āĻŦāĻŋāĻ• āĻĒāϰāĻŋāϚ⧟ āϧāϰāĻž āφāϛ⧇āĨ¤ āĻ—āĻ˛ā§āĻĒ, āĻ•āĻŦāĻŋāϤāĻž, āϚāĻŋāĻ¤ā§āϰāύāĻžāĻŸā§āϝ, āĻ¸ā§āĻŽā§ƒāϤāĻŋāĻ•āĻĨāĻž, āϏāĻžāĻ•ā§āώāĻžā§ŽāĻ•āĻžāϰ āĻ“ āĻļāĻŋāĻ˛ā§āĻĒāĻŦāĻŋāώ⧟āĻ• āϤāĻžāρāϰ āύāĻžāύāĻžāύ āϰāϚāύāĻžā§Ÿ āϏāĻŽā§ƒāĻĻā§āϧ āĻ āϏāĻ‚āĻ•āϞāύāĨ¤

     300.00
  • āĻŽā§āĻ°ā§āϤāϜāĻž āĻŦāĻļā§€āϰ
    āϏāĻžāĻĻāĻžā§Ÿ āĻāϞāĻŋāϜāĻŋ 

    āĻŽā§āĻ°ā§āϤāϜāĻž āĻŦāĻļā§€āϰ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ⧇āϰ āĻ…āĻ—ā§āϰāĻ—āĻŖā§āϝ āϚāĻŋāĻ¤ā§āϰāĻļāĻŋāĻ˛ā§āĻĒā§€āĨ¤ āĻļāĻŋāĻ˛ā§āĻĒā§€ āĻšāĻŋāϏ⧇āĻŦ⧇ āϝ⧇-āĻ•āĻžāϜ āϤāĻŋāύāĻŋ āĻ•āϰ⧇āύ āϰāĻ‚-āϰ⧇āĻ–āĻžāϰ āϏāĻžāĻšāĻžāĻ¯ā§āϝ⧇, āĻ āĻŦāĻ‡ā§Ÿā§‡ āϏ⧇ āĻ•āĻžāϜāϟāĻžāχ āϤāĻŋāύāĻŋ āĻ•āϰ⧇āϛ⧇āύ āĻļāĻŦā§āĻĻ⧇āϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡āĨ¤ āϏāĻ™ā§āϗ⧇ āĻ°ā§Ÿā§‡āϛ⧇ āϤāĻžāρāϰ āφāρāĻ•āĻž āĻ…āύ⧇āĻ• āϏāĻžāĻĻāĻž-āĻ•āĻžāϞ⧋ āĻ¸ā§āϕ⧇āϚāĨ¤

     220.00
  • āĻļāĻžāĻšāĻĻ⧁āĻœā§āϜāĻžāĻŽāĻžāύ
    āϚāĻŋāϰāϕ⧁āĻŸÂ 

    āĻĒā§āϰāĻĨāĻŽ āφāϞ⧋-⧟ āĻĒā§āϰāĻ•āĻžāĻļāĻŋāϤ āĻ•āϞāĻžāĻŽ-āĻāϰ āύāĻŋāĻ°ā§āĻŦāĻžāϚāĻŋāϤ āϏāĻ‚āĻ•āϞāύāĨ¤

     250.00
  • āĻŽā§‹. āφāĻŦāĻĻ⧁āϞ āφāϜāĻŋāϜ
    āĻĢāĻžāχāύāĻŽā§āϝāĻžāύ⧇āϰ āĻ…āĻ¨ā§āϤāϰāĻ™ā§āĻ— āĻ•āĻžāĻšāĻŋāύāĻŋ 

    āύ⧋āĻŦ⧇āϞāĻŦāĻŋāĻœā§Ÿā§€ āĻ–ā§āϝāĻžāϤāύāĻžāĻŽāĻž āĻŦāĻŋāĻœā§āĻžāĻžāύ⧀āϰ āĻ…āĻ¨ā§āϤāϰāĻ™ā§āĻ— āĻœā§€āĻŦāύāĻ•āĻžāĻšāĻŋāύāĻŋāĨ¤

     200.00
  • Mother Earth Responds 
    Green Poems and Alternative Visions

    A collection of poems, essays and narratives.

     150.00
  • Edgar Degas
    by Patrick Bade

    Degas was closest to Renoir in the impressionist’s circle. He started his apprenticeship in 1853 at the studio of Louis-Ernest Barrias and, beginning in 1854, studied under Louis Lamothe, who revered Ingres above all others and transmitted his adoration for this master to Edgar Degas. Starting in 1854, Degas frequently traveled to Italy where he copied from the Old Masters. His drawings and sketches already revealed very clear preferences, especially in Raphael, Leonardo da Vinci, Michelangelo, and Mantegna. After his first compositions, which depicted horses, Degas made yet another discovery. His first painting devoted solely to the ballet was Le Foyer de la danse à l’OpÊra de la rue Le

    Peletier (The Dancing Anteroom at the Opera on Rue Le Peletier, MusÊe d’Orsay, Paris). In a carefully constructed composition, with groups of fi gures balancing one another to the left and the right, each ballet dancer is involved in her own activity, each moving in a separate manner from the others. Extended observation and an immense number of sketches were essential to executing such a task. Ballet would remain his passion until the end.

     Used Book, Hardbound, 200 pages

     400.00
  • Henri de Tolouse-Lautrec 
    by Patrick Bade

    Whether madonna, muse or temptress, women have been a source of artistic inspiration throughout history. In the Reveries series, Parkstone pays tribute to the important contribution women have made to artists by uplifting their spirits and giving free reign to their fantasies. We invite you to share the erotic world of well-known painters such as Degas and Schiele.

    This new genre of art book offers a glimpse into the private lives of some of the most influential artists of modern times. The most striking features of the Reveries series are their brief texts, sophisticated layouts, and high-quality reproductions. Each title pays homage to the artists oeuvre and the elegant layouts include some rarely-seen images.

    Every page benefits from a unique design and offers a unique setting for some of the most sensual works of Degas, Schiele. Modigliani and Toulouse-Lautrec. These publications should be considered as works of art themselves, a delight for the enthusiast; instructive for the novice; a welcome and valuable addition to any library.

    Used Book, Hardbound, 120 pages

     400.00
  • āĻļ⧁āϭ⧇āĻ¨ā§āĻĻ⧁ āĻĻāĻžāĻļāϗ⧁āĻĒā§āϤ āϏāĻŽā§āĻĒāĻžāĻĻāĻŋāϤ
    āĻœā§‡āϞāĻ–āĻžāύāĻžā§Ÿ āϞ⧇āĻ–āĻž āϏāĻ¤ā§āϤāĻ°Â 

    ⧧⧝⧭ā§Ļ-āĻāϰ āĻĻāĻļāϕ⧇ āĻŦ⧈āĻĒā§āϞāĻŦāĻŋāĻ• āφāĻ¨ā§āĻĻā§‹āϞāύ⧇ āϜ⧜āĻŋā§Ÿā§‡ āĻĒā§œā§‡ āϝāĻžāρāϰāĻž āĻ•āĻžāϰāĻžāĻŦāĻ¨ā§āĻĻāĻŋ āĻšā§Ÿā§‡āĻ›āĻŋāϞ⧇āύ, āĻ•āĻžāϰāĻžāĻ¨ā§āϤāϰāĻžāϞ āĻĨ⧇āϕ⧇ āϤāĻžāρāĻĻ⧇āϰ āϞ⧇āĻ–āĻž āĻ—āĻ˛ā§āĻĒ, āĻ•āĻŦāĻŋāϤāĻž, āωāĻĒāĻ¨ā§āϝāĻžāϏ, āϚāĻŋāĻ āĻŋ āχāĻ¤ā§āϝāĻžāĻĻāĻŋāϰ āϏāĻ‚āĻ•āϞāύāĨ¤

     500.00
  • Salman Rushdie
    Enchantress of Florence

    This ninth novel penned by Salman Rushdie contains major themes such as eroticism, sex and humanism, and a debate as opposed to authoritarianism. It could be considered as a work of magic realism. The story is about the visit of a European to the Mughal emperor, Akbar’s court. He claims that he is born of an exiled Indian princess and an Italian from Florence and that he is a long lost relative of the king. Will the Mughal emperor believe him?

     150.00
  • Haruki Murakami
    The Elephant Vanishes

    Used Book, 228 pages

     150.00
  • Haruki Murakami
    Kafka on the Shore

    Used Book, 616 pages

     200.00
  • Haruki Murakami
    Underground

     

     150.00
  • Haruki Murakami
    Killing Commendatore 

     250.00
  • āϏ⧁āĻĒāĻ°ā§āĻŖāĻž āϞāĻžāĻšāĻŋā§œā§€ āĻŦ⧜⧁⧟āĻž
    āĻŦāĻĻāϞ⧇ āϝāĻžāĻšā§āϛ⧇ āĻ–āĻžāϏāĻŋ āĻŽāĻžā§Ÿā§‡āĻĻ⧇āϰ āĻ—āĻ˛ā§āĻĒ 

    āωāĻ¤ā§āϤāϰ-āĻĒā§‚āĻ°ā§āĻŦāĻžāĻžā§āϚāϞ⧇āϰ āϛ⧋āĻŸā§āϟ āĻĒāĻžāĻšāĻžāĻĄāĻŧāĻŋ āĻĻ⧇āĻļ āĻŽā§‡āϘāĻžāϞ⧟ – āĻŽā§‡āĻ˜ā§‡āĻĻ⧇āϰ āĻŦāĻžāĻĄāĻŧāĻŋāĨ¤ āϤāĻŋāύāĻŸā§‡ āĻĒāĻžāĻšāĻžāĻĄāĻŧ āĻĻāĻŋā§Ÿā§‡ āĻ˜ā§‡āϰāĻž āĻāχ āĻĻ⧇āĻļ – āĻ–āĻžāϏāĻŋ-āĻ—āĻžāϰ⧋-āϜ⧟āĻ¨ā§āϤāĻŋ⧟āĻžāĨ¤ āĻŽā§‚āϞ āĻ…āϧāĻŋāĻŦāĻžāϏ⧀āϰāĻžāĻ“ āĻ–āĻžāϏāĻŋ-āĻ—āĻžāϰ⧋ āφāϰ āϜ⧟āĻ¨ā§āϤāĻŋ⧟āĻž āϜāύāϜāĻžāϤāĻŋāϰāĨ¤ āĻŽā§‡āϘāĻžāĻ˛ā§Ÿā§‡āϰ āϏāĻŽāĻ¸ā§āϤ āϜāύāϜāĻžāϤāĻŋāϰ āϏāĻŽāĻžāϜāχ āĻŽāĻžāϤ⧃āĻĒā§āϰāϧāĻžāύ, āĻŽāĻžā§Ÿā§‡āϰ āĻŦāĻ‚āĻļ-āĻĒāϰāĻŋāĻšā§Ÿā§‡āχ āϏ⧇āĻ–āĻžāύ⧇ āϏāĻ¨ā§āϤāĻžāύ⧇āϰ āĻĒāϰāĻŋāϚ⧟āĨ¤ āĻŽāĻžā§Ÿā§‡āϰāĻžāχ āĻŽā§‚āϞāϤ āĻŦāĻšāύ āĻ•āϰ⧇ āϏāĻ¨ā§āϤāĻžāύ⧇āϰ āĻĻāĻžā§ŸāĻŋāĻ¤ā§āĻŦāĨ¤ āĻĒāĻŋāϤ⧃āϤāĻžāĻ¨ā§āĻ¤ā§āϰāĻŋāĻ• āĻĒāϰāĻŋāĻ•āĻžāĻ āĻžāĻŽā§‹āϰ āĻŦāĻŋāĻĒāϰ⧀āϤ⧇ āĻāχ āϝ⧇ āĻŽāĻžāϤ⧃āĻĒā§āϰāĻžāϧāĻžāĻ¨ā§āϝ⧇āϰ āϏāĻŽāĻžāϜ – āϕ⧇āĻŽāύ āϏ⧇āχ āϏāĻŽāĻžāϜ? āĻ āĻ•āĻĨāĻž āϜāĻžāύāĻžāϰ āφāĻ—ā§āϰāĻšā§‡ āĻāχ āĻŦāĻ‡ā§Ÿā§‡ āφāĻĒāĻžāϤāϤ āĻ–āĻžāϏāĻŋ āϜāύāϜāĻžāϤāĻŋāϰ āϏāĻŽāĻžāϜāϕ⧇ āĻŦ⧇āϛ⧇ āύāĻŋā§Ÿā§‡āϛ⧇āύ āϞ⧇āĻ–āĻŋāĻ•āĻžāĨ¤ āĻ—āϤ āĻ•ā§Ÿā§‡āĻ• āĻŦāĻ›āϰ āϧāϰ⧇ āĻ āϜāĻ¨ā§āϝ āϤāĻŋāύāĻŋ āĻ–āĻžāϏāĻŋ āϞ⧋āĻ•āĻ•āĻĨāĻž, āĻ—āĻ˛ā§āĻĒ, āĻ•āĻŦāĻŋāϤāĻž, āĻŽā§‡āϘāĻžāϞ⧟ āĻĨ⧇āϕ⧇ āĻĒā§āϰāĻ•āĻžāĻļāĻŋāϤ āĻ–āĻžāϏāĻŋ āĻ–āĻŦāϰ⧇āϰ āĻ•āĻžāĻ—āϜ, āĻĒāĻ¤ā§āϰāĻĒāĻ¤ā§āϰāĻŋāĻ•āĻž āχāĻ¤ā§āϝāĻžāĻĻāĻŋ āĻĒā§œā§‡āϛ⧇āύ; āĻŦāĻžāϰāĻ‚āĻŦāĻžāϰ āĻŽā§‡āϘāĻžāĻ˛ā§Ÿā§‡ āϗ⧇āϛ⧇āύ, āĻĒā§āϰāĻ¤ā§āϝāĻ¨ā§āϤ āϏāĻŦ āĻāϞāĻžāĻ•āĻžā§Ÿ āĻĒāĻžā§œāĻŋ āĻĻāĻŋā§Ÿā§‡āϛ⧇āύ; āϏ⧇āĻ–āĻžāύāĻ•āĻžāϰ āĻŽāĻŋāωāϜāĻŋ⧟āĻžāĻŽ, āĻŦāĻžāϜāĻžāϰ, āĻŦāĻ‡ā§Ÿā§‡āϰ āĻĻā§‹āĻ•āĻžāύ⧇ āϗ⧇āϛ⧇āύ; āĻ–āĻžāϏāĻŋ āϏāĻŽāĻžāĻœā§‡āϰ āĻŽāĻžāύ⧁āώ, āĻŦāĻŋāĻļ⧇āώāϤ āĻŽā§‡ā§Ÿā§‡āĻĻ⧇āϰ āϏāĻ™ā§āϗ⧇ āĻŦāĻ¨ā§āϧ⧁āĻ¤ā§āĻŦ⧇āϰ āϏāĻŽā§āĻĒāĻ°ā§āĻ• āϤ⧈āϰāĻŋ āĻ•āϰ⧇āϛ⧇āύāĨ¤ āĻ āĻŦāχ āϤāĻžāϰ āĻĢāϏāϞāĨ¤ āĻ…āϤ⧀āϤ āĻĨ⧇āϕ⧇ āĻŦāĻ°ā§āϤāĻŽāĻžāύ, āĻ–āĻžāϏāĻŋ āϏāĻŽāĻžāĻœā§‡āϰ āĻāĻ• āϏāĻžāĻ°ā§āĻŦāĻŋāĻ• āĻĒāϰāĻŋāϚ⧟ āϧāϰāĻž āĻĨāĻžāĻ•āϞ āĻāχ āĻŦāχāϤ⧇āĨ¤

     100.00
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