Jadugoda Diary_e-version
₹ 40.00
In StockShyamali khastgir
Jadugoda Diary
The uranium that fuels Indiaâs nuclear weapons and energy programme is mined at Jadugoda in Singhbhum district in the state of Jharkhand. The company that does the mining is Uranium Corporation of India Ltd (UCIL). UCIL was established in 1967 and started its operations in 1968 at Jadugoda with uranium ore mining and a processing plant, each of 1,000 metric tonnes per day capacity.
For more than three decades, there have been a large number of news reports in various magazines and newspapers, detailing various health problems suffered by the people of the area. Mostly these have concerned a large number of deformities in children and various kinds of lung problems.
Shyamali Khastgir surveyed the area in year 2000 and brought out this report.
Description
Shyamali khastgir
Jadugoda Diary
The uranium that fuels Indiaâs nuclear weapons and energy programme is mined at Jadugoda in Singhbhum district in the state of Jharkhand. The company that does the mining is Uranium Corporation of India Ltd (UCIL). UCIL was established in 1967 and started its operations in 1968 at Jadugoda with uranium ore mining and a processing plant, each of 1,000 metric tonnes per day capacity.
For more than three decades, there have been a large number of news reports in various magazines and newspapers, detailing various health problems suffered by the people of the area. Mostly these have concerned a large number of deformities in children and various kinds of lung problems.
Shyamali Khastgir surveyed the area in year 2000 and brought out this report.
e-edition, 620 KB
You must be logged in to post a review.
Related products
-
ANANDA K COOMARASWAMY
The Indian CraftsmanClosely associated with the Tagore family of Jorasanko and the Swadeshi movement of Bengal, this eminent art-historian of the early twentieth century did not discriminate the art of the rural folk with the great religious arts of the rich and urban people. He saw it as conscientious expression of both the artisans as well as the civilization that nurtured it. Creativity of an ordinary earthen pot was equally valuable to him as with that of a gigantic temple. This is a rare and important book by Coomaraswamy who is regarded as the successor of Blake, Ruskin and William Morris in aesthetic point of view.
₹ 160.00Version : ebook - hardcopyThe Indian Craftsman
ANANDA K COOMARASWAMY
The Indian CraftsmanClosely associated with the Tagore family of Jorasanko and the Swadeshi movement of Bengal, this eminent art-historian of the early twentieth century did not discriminate the art of the rural folk with the great religious arts of the rich and urban people. He saw it as conscientious expression of both the artisans as well as the civilization that nurtured it. Creativity of an ordinary earthen pot was equally valuable to him as with that of a gigantic temple. This is a rare and important book by Coomaraswamy who is regarded as the successor of Blake, Ruskin and William Morris in aesthetic point of view.
₹ 160.00 -
ANANDA K COOMARASWAMY
The Indian CraftsmanClosely associated with the Tagore family of Jorasanko and the Swadeshi movement of Bengal, this eminent art-historian of the early twentieth century did not discriminate the art of the rural folk with the great religious arts of the rich and urban people. He saw it as conscientious expression of both the artisans as well as the civilization that nurtured it. Creativity of an ordinary earthen pot was equally valuable to him as with that of a gigantic temple. This is a rare and important book by Coomaraswamy who is regarded as the successor of Blake, Ruskin and William Morris in aesthetic point of view.
₹ 50.00The Indian Craftsman_e-edition
ANANDA K COOMARASWAMY
The Indian CraftsmanClosely associated with the Tagore family of Jorasanko and the Swadeshi movement of Bengal, this eminent art-historian of the early twentieth century did not discriminate the art of the rural folk with the great religious arts of the rich and urban people. He saw it as conscientious expression of both the artisans as well as the civilization that nurtured it. Creativity of an ordinary earthen pot was equally valuable to him as with that of a gigantic temple. This is a rare and important book by Coomaraswamy who is regarded as the successor of Blake, Ruskin and William Morris in aesthetic point of view.
₹ 50.00 -
Shyamali Khastgir (1940-2101) was an artist and one of the leading social activists in the sphere of environment, anti-nuclear campaign, and other important concerns of life and nature.
This series of drawings is the first one of the twin e-albums of Shyamali from a personal collection, presented here for the first time.₹ 45.00The Birds: A Series of Twelve Drawings_e-book
Shyamali Khastgir (1940-2101) was an artist and one of the leading social activists in the sphere of environment, anti-nuclear campaign, and other important concerns of life and nature.
This series of drawings is the first one of the twin e-albums of Shyamali from a personal collection, presented here for the first time.₹ 45.00 -
KALPANA BISWAS
Conversation with the MaestrosAll these conversations were held between the Maestros (namely Bijan Bhattacharya, Ritwikkumar Ghatak and Salil Chowdhury) and Ms Kalpana Biswas during the period of 1976-78. Kalpana works as an independent filmmaker now. Prior to film making she had a long career in research based work. She had taken up this esteemed job as a research project in search of understanding the socio-economy of the turbulent 40âs. Published by Context Regroup.
₹ 60.00Version : ebook - hardcopyConversation with the Maestros
KALPANA BISWAS
Conversation with the MaestrosAll these conversations were held between the Maestros (namely Bijan Bhattacharya, Ritwikkumar Ghatak and Salil Chowdhury) and Ms Kalpana Biswas during the period of 1976-78. Kalpana works as an independent filmmaker now. Prior to film making she had a long career in research based work. She had taken up this esteemed job as a research project in search of understanding the socio-economy of the turbulent 40âs. Published by Context Regroup.
Categories: Books, culture, literature, society₹ 60.00 -
āĻĒāĻžāĻāϞ⧠āĻĢā§āϰā§āĻāϰāĻŋ
āĻŽā§āĻā§āϤāĻŋāϰ āĻāύā§āϝ āϏāĻžāĻāϏā§āĻā§āϤāĻŋāĻ āĻĒā§āϰā§āĻžāϏÂāĻĒāĻžāĻāϞ⧠āĻĢā§āϰā§āĻāϰāĻŋ-āϰ āĻļāĻŋāĻā§āώāĻžāĻāĻŋāύā§āϤāĻžāϰ āĻŽā§āϞ āĻāĻĨāĻž āĻšāϞâ āĻĒā§āϰāϤāĻŋāĻāĻŋ āĻŽāĻžāύā§āώ āĻāĻ-āĻāĻāĻāĻŋ āϏā§āĻŦāϤāύā§āϤā§āϰ āϏā§āĻŦāĻžāϧā§āύ āϏāϤā§āϤāĻž, āϝāĻŋāύāĻŋ āĻĒā§āĻĨāĻŋāĻŦā§āĻā§ āĻĒāϰāĻŋāĻŦāϰā§āϤāύ āĻāϰāϤ⧠āĻĒāĻžāϰā§āύ āĻāĻŦāĻ āύāϤā§āύ āĻāϰ⧠āĻā§āϤ⧠āĻĒāĻžāϰā§āύāĨ¤ āĻŽāĻžāύā§āώā§āϰ āĻā§āϤāύāĻž āϰā§āĻĒ āĻĒāĻžā§ āĻāϰā§āĻĨ-āϏāĻžāĻŽāĻžāĻāĻŋāĻ āĻ āϰāĻžāĻāύā§āϤāĻŋāĻ āĻĒāϰāĻŋāϏā§āĻĨāĻŋāϤāĻŋ āĻāϰ āĻŽāĻžāύā§āώāĻāĻŋāϰ āύāĻŋāĻāϏā§āĻŦ āĻĒāĻžāϰāĻŋāĻĒāĻžāϰā§āĻļā§āĻŦāĻŋāĻā§āϰ āĻĒā§āϰāĻāĻžāĻŦā§āĨ¤ āϤāϤā§āϤā§āĻŦ-āĻāϰā§āĻŽ-āϏāĻŽāύā§āĻŦā§ā§ āĻŦāĻŋāĻļā§āϞā§āώāĻŖā§ āĻā§āϤāύāĻž āĻŽāĻžāύā§āώāĻā§ āĻāĻžāĻŦāύāĻž āĻĨā§āĻā§ āĻāĻžāĻā§ āĻ āĻā§āϰāϏāϰ āĻšāϤ⧠āĻļā§āĻāĻžā§āĨ¤ āĻļā§āώāĻā§āϰ āĻāϰā§āĻĒāĻŋāϤ āύā§āĻāĻļāĻŦā§āĻĻā§āϝā§āϰ āϏāĻāϏā§āĻā§āϤāĻŋ āύāĻŋāĻĒā§ā§āύ āĻāĻžāϰāĻŋ āϰāĻžāĻāϤ⧠āϏāĻžāĻšāĻžāϝā§āϝ āĻāϰ⧠āĻāĻŦāĻ āĻŽāĻŋāĻĨā§āϝāĻž āĻāĻŋāĻā§ āĻāĻžāĻŦāύāĻžāϰ āĻŽāϧā§āϝ⧠āĻŽāĻžāύā§āώāĻā§ āĻāĻāĻā§ āϰāĻžāĻā§āĨ¤ āĻā§āĻāĻžāύāĻžāϰā§āĻāύā§āϰ āĻāĻĻā§āĻĻā§āĻļā§āϝāĻ āĻšāϞ āĻļāĻŋāĻā§āώāĻžāϰā§āĻĨā§āϰ (āϏā§āĻ āϏāĻā§āĻā§ āĻļāĻŋāĻā§āώāĻā§āϰāĻ) āϤāϤā§āϤā§āĻŦ-āĻāϰā§āĻŽ-āϏāĻŽāύā§āĻŦā§ā§ āĻŦāĻŋāĻļā§āϞā§āώāĻŖā§ āĻā§āϤāύāĻžā§āύā§āϰ āĻŽāĻžāϧā§āϝāĻŽā§ āĻŦāĻžāϏā§āϤāĻŦ āĻā§āĻŦāύ⧠āĻŽā§āĻā§āϤāĻŋ āĻ āϰā§āĻāύā§āϰ āĻĒāĻĨ āĻāϰ⧠āύā§āĻā§āĻž āĨ¤
āĻĒāĻžāĻāϞ⧠āĻĢā§āϰā§āĻāϰāĻŋ-āĻā§ āύāĻŋā§ā§ āĻŦāĻŋāĻļā§āϞā§āώāĻŖāĻŽā§āϞāĻ āĻāĻžāĻ āĻāĻāĻžāύ⧠āĻŦāĻŋāĻļā§āώ āĻšā§āύāĻŋāĨ¤ āϤāĻžāĻāϰ āĻļāĻŋāĻā§āώāĻžāϤāϤā§āϤā§āĻŦā§āϰ āĻĒā§āϰā§ā§āĻāĻ āĻā§āĻŦ āĻŦāĻŋāϏā§āϤāĻžāϰāĻŋāϤ āĻ āϏāĻāĻāĻ āĻŋāϤ āĻāĻžāĻŦā§ āĻšā§āύāĻŋāĨ¤ āĻŦāĻŋāĻĻā§āϝāĻžā§āϤāύā§āϰ āĻ āύā§āĻĻāϰ⧠āĻŦāϏ⧠āĻāĻŦā§āώāĻŖāĻž āϝāĻĨā§āώā§āĻ āύā§āĨ¤ āϤāĻžāĻāĻā§ āύāĻŋā§ā§ āĻā§āύ āĻ āϰā§āĻĨāĻĒā§āϰā§āĻŖ āĻāĻžāĻ āĻāϰāϤ⧠āĻā§āϞ⧠āĻĻā§āĻā§āĻžāϞā§āϰ āĻŦāĻžāĻāϰ⧠āύāĻž āĻāϞ⧠āĻāϞāĻŦā§ āύāĻžāĨ¤ āϤāĻž āύāĻž āĻšāϞ⧠āĻŽā§āϞ āĻŦā§āϝāĻžāĻĒāĻžāϰāĻāĻžāĻ āĻĨā§āĻā§ āϝāĻžāĻŦā§ āĻ āϧāϰāĻžāĨ¤ āϏāĻŽāϏā§āϝāĻž āĻšāϞ, āĻĒā§āϰāĻĨāĻžāĻŦāĻšāĻŋāϰā§āĻā§āϤ āĻļāĻŋāĻā§āώāĻžāĻ āĻāĻĻā§āĻļā§ āĻĒā§āϰāĻžāϤāĻŋāώā§āĻ āĻžāύāĻŋāĻ āĻšā§ā§ āĻĒā§ā§āĨ¤ āĻĻāϰāĻāĻžāϰ āĻāĻŋāύā§āϤāĻžāĻāĻžāĻŦāύāĻžāĻā§ āĻŦāĻžāĻā§āϏā§āϰ āĻŦāĻžāĻāϰ⧠āύāĻŋā§ā§ āĻāϏāĻž, āĻāĻžāύāϞāĻž āĻĻāĻŋā§ā§ āĻŦāĻžāĻāϰ⧠āϤāĻžāĻāĻžāύā§āĨ¤ âāĻļāĻŋāĻā§āώāĻžāĻŦā§āϝāĻŦāϏā§āĻĨāĻžâ āύāĻžāĻŽāĻ āĻā§āĻĻā§âāĻāĻŦāĻāĻŋāĻā§ āĻāĻžāĻāϤ⧠āĻšāϞā§, āĻĢā§āϰā§āĻāϰāĻŋ-āϰ āĻļāĻŋāĻā§āώāĻžāĻāĻŋāύā§āϤāĻž āĻ āϧā§āϝā§āύ āĻāϰāĻž āϤāĻžāĻ āĻā§āĻŦāĻ āĻāϰā§āϰāĻŋāĨ¤ āϤāĻžāĻāϰ āϏāĻŦ āĻŦāĻ-āĻ āĻĒā§āĻž āĻāĻāĻŋāϤ, āĻāĻŋāύā§āϤ⧠āĻĒā§āϰāĻĨāĻŽā§ āĻĒā§āĻž āĻāĻāĻŋāϤ âāĻāĻžāϞāĻāĻžāϰāĻžāϞ āĻ ā§āϝāĻžāĻāĻļāύ āĻĢāϰ āĻĢā§āϰāĻŋāĻĄāĻŽâāĨ¤
āĻŦāĻžāĻāĻžāϞāĻŋ āĻĒāĻžāĻ āĻā§āϰ āĻāĻžāĻā§ āĻĒāĻžāĻāϞ⧠āĻĢā§āϰā§āĻāϰāĻŋ-āĻā§ āĻāĻā§āĻŦāĻžāϰ⧠āĻā§ā§āĻž āĻĨā§āĻā§ āĻĒā§āĻāĻā§ āĻĻā§āĻā§āĻžāϰ āĻāύā§āϝāĻ āĻāĻ āĻŦāĻā§ā§āϰ āĻĒāϰāĻŋāĻāϞā§āĻĒāύāĻžāĨ¤ āĻŦāĻžāĻāϞāĻž āĻāĻžāώāĻžā§ āĻĢā§āϰā§āĻāϰāĻŋ-āϰ āϞā§āĻāĻž āϏāĻžāĻŦāϞā§āϞ āĻāĻžāĻŦā§ āĻĒā§āĻāĻā§ āĻĻā§āĻā§āĻžāϰ āĻŽā§āϞ āĻāĻžāĻāĻāĻŋ āĻāϰā§āĻā§āύ āϏāĻŦāĻŋāϤāĻž āĻŦāĻŋāĻļā§āĻŦāĻžāϏ āĻāĻŦāĻ āĻ āĻŦāĻ āϏāĻŽā§āĻĒāĻžāĻĻāύāĻž āĻāϰā§āĻā§āύ āϏāϞāĻŋāϞ āĻŦāĻŋāĻļā§āĻŦāĻžāϏ, āĻĻā§-āĻāύā§āĻ āĻĒā§āϰāĻĨāĻžāĻŦāĻšāĻŋāϰā§āĻā§āϤ āĻļāĻŋāĻā§āώāĻžāϰ āĻāĻžāĻā§ āĻĻā§āϰā§āĻ āĻ āĻāĻŋāĻā§āĻāϤāĻžāϏāĻŽā§āĻĒāύā§āύāĨ¤
āĻĒā§āϰāĻĨāĻŽ āϏāĻāϏā§āĻāϰāĻŖ, āύāϤā§āύ āĻŽā§āĻĻā§āϰāĻŖ, ā§§ā§§ā§Ļ āĻĒā§āώā§āĻ āĻž
₹ 200.00Muktir Jonyo Sanskritik Proyas
āĻĒāĻžāĻāϞ⧠āĻĢā§āϰā§āĻāϰāĻŋ
āĻŽā§āĻā§āϤāĻŋāϰ āĻāύā§āϝ āϏāĻžāĻāϏā§āĻā§āϤāĻŋāĻ āĻĒā§āϰā§āĻžāϏÂāĻĒāĻžāĻāϞ⧠āĻĢā§āϰā§āĻāϰāĻŋ-āϰ āĻļāĻŋāĻā§āώāĻžāĻāĻŋāύā§āϤāĻžāϰ āĻŽā§āϞ āĻāĻĨāĻž āĻšāϞâ āĻĒā§āϰāϤāĻŋāĻāĻŋ āĻŽāĻžāύā§āώ āĻāĻ-āĻāĻāĻāĻŋ āϏā§āĻŦāϤāύā§āϤā§āϰ āϏā§āĻŦāĻžāϧā§āύ āϏāϤā§āϤāĻž, āϝāĻŋāύāĻŋ āĻĒā§āĻĨāĻŋāĻŦā§āĻā§ āĻĒāϰāĻŋāĻŦāϰā§āϤāύ āĻāϰāϤ⧠āĻĒāĻžāϰā§āύ āĻāĻŦāĻ āύāϤā§āύ āĻāϰ⧠āĻā§āϤ⧠āĻĒāĻžāϰā§āύāĨ¤ āĻŽāĻžāύā§āώā§āϰ āĻā§āϤāύāĻž āϰā§āĻĒ āĻĒāĻžā§ āĻāϰā§āĻĨ-āϏāĻžāĻŽāĻžāĻāĻŋāĻ āĻ āϰāĻžāĻāύā§āϤāĻŋāĻ āĻĒāϰāĻŋāϏā§āĻĨāĻŋāϤāĻŋ āĻāϰ āĻŽāĻžāύā§āώāĻāĻŋāϰ āύāĻŋāĻāϏā§āĻŦ āĻĒāĻžāϰāĻŋāĻĒāĻžāϰā§āĻļā§āĻŦāĻŋāĻā§āϰ āĻĒā§āϰāĻāĻžāĻŦā§āĨ¤ āϤāϤā§āϤā§āĻŦ-āĻāϰā§āĻŽ-āϏāĻŽāύā§āĻŦā§ā§ āĻŦāĻŋāĻļā§āϞā§āώāĻŖā§ āĻā§āϤāύāĻž āĻŽāĻžāύā§āώāĻā§ āĻāĻžāĻŦāύāĻž āĻĨā§āĻā§ āĻāĻžāĻā§ āĻ āĻā§āϰāϏāϰ āĻšāϤ⧠āĻļā§āĻāĻžā§āĨ¤ āĻļā§āώāĻā§āϰ āĻāϰā§āĻĒāĻŋāϤ āύā§āĻāĻļāĻŦā§āĻĻā§āϝā§āϰ āϏāĻāϏā§āĻā§āϤāĻŋ āύāĻŋāĻĒā§ā§āύ āĻāĻžāϰāĻŋ āϰāĻžāĻāϤ⧠āϏāĻžāĻšāĻžāϝā§āϝ āĻāϰ⧠āĻāĻŦāĻ āĻŽāĻŋāĻĨā§āϝāĻž āĻāĻŋāĻā§ āĻāĻžāĻŦāύāĻžāϰ āĻŽāϧā§āϝ⧠āĻŽāĻžāύā§āώāĻā§ āĻāĻāĻā§ āϰāĻžāĻā§āĨ¤ āĻā§āĻāĻžāύāĻžāϰā§āĻāύā§āϰ āĻāĻĻā§āĻĻā§āĻļā§āϝāĻ āĻšāϞ āĻļāĻŋāĻā§āώāĻžāϰā§āĻĨā§āϰ (āϏā§āĻ āϏāĻā§āĻā§ āĻļāĻŋāĻā§āώāĻā§āϰāĻ) āϤāϤā§āϤā§āĻŦ-āĻāϰā§āĻŽ-āϏāĻŽāύā§āĻŦā§ā§ āĻŦāĻŋāĻļā§āϞā§āώāĻŖā§ āĻā§āϤāύāĻžā§āύā§āϰ āĻŽāĻžāϧā§āϝāĻŽā§ āĻŦāĻžāϏā§āϤāĻŦ āĻā§āĻŦāύ⧠āĻŽā§āĻā§āϤāĻŋ āĻ āϰā§āĻāύā§āϰ āĻĒāĻĨ āĻāϰ⧠āύā§āĻā§āĻž āĨ¤
āĻĒāĻžāĻāϞ⧠āĻĢā§āϰā§āĻāϰāĻŋ-āĻā§ āύāĻŋā§ā§ āĻŦāĻŋāĻļā§āϞā§āώāĻŖāĻŽā§āϞāĻ āĻāĻžāĻ āĻāĻāĻžāύ⧠āĻŦāĻŋāĻļā§āώ āĻšā§āύāĻŋāĨ¤ āϤāĻžāĻāϰ āĻļāĻŋāĻā§āώāĻžāϤāϤā§āϤā§āĻŦā§āϰ āĻĒā§āϰā§ā§āĻāĻ āĻā§āĻŦ āĻŦāĻŋāϏā§āϤāĻžāϰāĻŋāϤ āĻ āϏāĻāĻāĻ āĻŋāϤ āĻāĻžāĻŦā§ āĻšā§āύāĻŋāĨ¤ āĻŦāĻŋāĻĻā§āϝāĻžā§āϤāύā§āϰ āĻ āύā§āĻĻāϰ⧠āĻŦāϏ⧠āĻāĻŦā§āώāĻŖāĻž āϝāĻĨā§āώā§āĻ āύā§āĨ¤ āϤāĻžāĻāĻā§ āύāĻŋā§ā§ āĻā§āύ āĻ āϰā§āĻĨāĻĒā§āϰā§āĻŖ āĻāĻžāĻ āĻāϰāϤ⧠āĻā§āϞ⧠āĻĻā§āĻā§āĻžāϞā§āϰ āĻŦāĻžāĻāϰ⧠āύāĻž āĻāϞ⧠āĻāϞāĻŦā§ āύāĻžāĨ¤ āϤāĻž āύāĻž āĻšāϞ⧠āĻŽā§āϞ āĻŦā§āϝāĻžāĻĒāĻžāϰāĻāĻžāĻ āĻĨā§āĻā§ āϝāĻžāĻŦā§ āĻ āϧāϰāĻžāĨ¤ āϏāĻŽāϏā§āϝāĻž āĻšāϞ, āĻĒā§āϰāĻĨāĻžāĻŦāĻšāĻŋāϰā§āĻā§āϤ āĻļāĻŋāĻā§āώāĻžāĻ āĻāĻĻā§āĻļā§ āĻĒā§āϰāĻžāϤāĻŋāώā§āĻ āĻžāύāĻŋāĻ āĻšā§ā§ āĻĒā§ā§āĨ¤ āĻĻāϰāĻāĻžāϰ āĻāĻŋāύā§āϤāĻžāĻāĻžāĻŦāύāĻžāĻā§ āĻŦāĻžāĻā§āϏā§āϰ āĻŦāĻžāĻāϰ⧠āύāĻŋā§ā§ āĻāϏāĻž, āĻāĻžāύāϞāĻž āĻĻāĻŋā§ā§ āĻŦāĻžāĻāϰ⧠āϤāĻžāĻāĻžāύā§āĨ¤ âāĻļāĻŋāĻā§āώāĻžāĻŦā§āϝāĻŦāϏā§āĻĨāĻžâ āύāĻžāĻŽāĻ āĻā§āĻĻā§âāĻāĻŦāĻāĻŋāĻā§ āĻāĻžāĻāϤ⧠āĻšāϞā§, āĻĢā§āϰā§āĻāϰāĻŋ-āϰ āĻļāĻŋāĻā§āώāĻžāĻāĻŋāύā§āϤāĻž āĻ āϧā§āϝā§āύ āĻāϰāĻž āϤāĻžāĻ āĻā§āĻŦāĻ āĻāϰā§āϰāĻŋāĨ¤ āϤāĻžāĻāϰ āϏāĻŦ āĻŦāĻ-āĻ āĻĒā§āĻž āĻāĻāĻŋāϤ, āĻāĻŋāύā§āϤ⧠āĻĒā§āϰāĻĨāĻŽā§ āĻĒā§āĻž āĻāĻāĻŋāϤ âāĻāĻžāϞāĻāĻžāϰāĻžāϞ āĻ ā§āϝāĻžāĻāĻļāύ āĻĢāϰ āĻĢā§āϰāĻŋāĻĄāĻŽâāĨ¤
āĻŦāĻžāĻāĻžāϞāĻŋ āĻĒāĻžāĻ āĻā§āϰ āĻāĻžāĻā§ āĻĒāĻžāĻāϞ⧠āĻĢā§āϰā§āĻāϰāĻŋ-āĻā§ āĻāĻā§āĻŦāĻžāϰ⧠āĻā§ā§āĻž āĻĨā§āĻā§ āĻĒā§āĻāĻā§ āĻĻā§āĻā§āĻžāϰ āĻāύā§āϝāĻ āĻāĻ āĻŦāĻā§ā§āϰ āĻĒāϰāĻŋāĻāϞā§āĻĒāύāĻžāĨ¤ āĻŦāĻžāĻāϞāĻž āĻāĻžāώāĻžā§ āĻĢā§āϰā§āĻāϰāĻŋ-āϰ āϞā§āĻāĻž āϏāĻžāĻŦāϞā§āϞ āĻāĻžāĻŦā§ āĻĒā§āĻāĻā§ āĻĻā§āĻā§āĻžāϰ āĻŽā§āϞ āĻāĻžāĻāĻāĻŋ āĻāϰā§āĻā§āύ āϏāĻŦāĻŋāϤāĻž āĻŦāĻŋāĻļā§āĻŦāĻžāϏ āĻāĻŦāĻ āĻ āĻŦāĻ āϏāĻŽā§āĻĒāĻžāĻĻāύāĻž āĻāϰā§āĻā§āύ āϏāϞāĻŋāϞ āĻŦāĻŋāĻļā§āĻŦāĻžāϏ, āĻĻā§-āĻāύā§āĻ āĻĒā§āϰāĻĨāĻžāĻŦāĻšāĻŋāϰā§āĻā§āϤ āĻļāĻŋāĻā§āώāĻžāϰ āĻāĻžāĻā§ āĻĻā§āϰā§āĻ āĻ āĻāĻŋāĻā§āĻāϤāĻžāϏāĻŽā§āĻĒāύā§āύāĨ¤
āĻĒā§āϰāĻĨāĻŽ āϏāĻāϏā§āĻāϰāĻŖ, āύāϤā§āύ āĻŽā§āĻĻā§āϰāĻŖ, ā§§ā§§ā§Ļ āĻĒā§āώā§āĻ āĻž
₹ 200.00 -
PAUL GAUGUIN
Noa Noa: The Tahiti JournalOne of the most prominent post-impressionist artists, Paul Gauguin left his family and country only to move to the country of the so-called âuncivilizedâ Maoris for the sake of painting. There he stayed with the Maoris, noted every intrinsic details of their livelihood and collected their mythology and folklores. He detailed every aspects of them in this book, elaborated the picture of a great civilization. Added with these are reproductions of many of his black and white paintings drawn during his Tahiti days.
₹ 195.00Version : ebook - hardcopyNoa Noa: The Tahiti Journal
PAUL GAUGUIN
Noa Noa: The Tahiti JournalOne of the most prominent post-impressionist artists, Paul Gauguin left his family and country only to move to the country of the so-called âuncivilizedâ Maoris for the sake of painting. There he stayed with the Maoris, noted every intrinsic details of their livelihood and collected their mythology and folklores. He detailed every aspects of them in this book, elaborated the picture of a great civilization. Added with these are reproductions of many of his black and white paintings drawn during his Tahiti days.
₹ 195.00








Reviews
There are no reviews yet.