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  • āωāχāϞāĻŋ⧟āĻžāĻŽ āĻļ⧇āĻ•ā§āϏāĻĒā§€ā§ŸāĻžāϰ
    āĻŸā§ā§Ÿā§‡āϞāĻĢāĻĨ āύāĻžāχāϟ āĻ…āĻĨāĻŦāĻž āĻšā§‹ā§ŸāĻžāϟ āχāω āωāχāϞ

    āϏāĻĒā§āϤāĻĻāĻļ āĻļāϤāϕ⧇āϰ āĻ—ā§‹ā§œāĻžāϰ āĻĻāĻŋāϕ⧇ āϞ⧇āĻ–āĻž āĻāχ āύāĻžāϟāĻ• āĻļ⧇āĻ•ā§āϏāĻĒā§€ā§ŸāĻžāϰ⧇āϰ āĻŦāĻŋāĻ–ā§āϝāĻžāϤ āϰ⧋āĻŽāĻžāĻ¨ā§āϟāĻŋāĻ• āĻ•āĻŽā§‡āĻĄāĻŋāϗ⧁āϞāĻŋāϰ āĻāĻ•āϟāĻŋ āĻŦāϞ⧇ āĻ¸ā§āĻŦā§€āĻ•ā§ƒāϤāĨ¤ āϤāĻž āĻšāϞ⧇āĻ“ āĻ āύāĻžāϟāĻ• āĻ…āĻ¨ā§āϝāĻžāĻ¨ā§āϝ āĻ•āĻŽā§‡āĻĄāĻŋāϰ āĻŽāϤ⧋ āĻ…āϤ āφāύāĻ¨ā§āĻĻā§‹āĻšā§āĻ›āϞ āύ⧟āĨ¤ āϘāϟāύāĻžāϰ āĻ•ā§āϰāĻŽ āĻāĻ–āĻžāύ⧇ āĻ…āϏāĻŽā§āĻ­āĻŦ āĻ•āĻ˛ā§āĻĒāύāĻžāĻŦāĻŋāϞāĻžāϏ⧇ āĻĒā§‚āĻ°ā§āĻŖāĨ¤ āĻ­āĻžāχ-āĻŦā§‹āύ⧇āϰ āĻŦāĻŋāĻšā§āϛ⧇āĻĻ, āϤāĻžāĻĻ⧇āϰ āĻĒ⧁āύāĻ°ā§āĻŽāĻŋāϞāύ⧇āϰ āϏāĻŽā§āĻ­āĻžāĻŦāύāĻž, āĻ–āĻžāĻŽāĻ–ā§‡ā§ŸāĻžāϞāĻŋ āĻāĻ• āϰāĻžāϜāĻž, āϏ⧁āĻ¨ā§āĻĻāϰ⧀ āĻāĻ• āĻ…āĻ­āĻŋāϜāĻžāϤ āύāĻžāĻ°ā§€â€“ āϏāĻŦāχ āĻĒā§āϰāĻžā§Ÿ āϰ⧂āĻĒāĻ•āĻĨāĻžāϰ āĻŽāϤ⧋āĨ¤ āĻ…āĻĨāϚ āĻ—ā§‹āϟāĻž āύāĻžāϟāĻ•āϟāĻŋ āĻŦāĻŋāĻšā§āϛ⧇āĻĻ āφāϰ āĻŦāĻŋāώāĻŖā§āύāϤāĻžā§Ÿ āφāĻŦāĻŋāĻˇā§āϟāĨ¤ āĻŦāĻžāĻ‚āϞāĻžā§Ÿ āĻ…āĻ‚āĻļāϤ āĻ…āĻĒāϰāĻŋāϚāĻŋāϤ āĻ“ āĻ…āύāĻžāϞ⧋āϚāĻŋāϤ āĻ āύāĻžāϟāϕ⧇āϰ āϚāĻŽāĻ•āĻĒā§āϰāĻĻ āĻ­āĻžāώāĻžāĻ¨ā§āϤāϰ āĻ•āϰ⧇ āĻĒāĻžāĻ āϕ⧇āϰ āĻĻāϰāĻŦāĻžāϰ⧇ āύāϤ⧁āύ āĻ•āϰ⧇ āĻšāĻžāϜāĻŋāϰ āĻ•āϰ⧇āϛ⧇āύ āϏāĻŋāĻĻā§āϧāĻžāĻ°ā§āĻĨ āĻŦāĻŋāĻļā§āĻŦāĻžāϏāĨ¤

     80.00
    Version : hardcopy
  • āωāχāϞāĻŋ⧟āĻžāĻŽ āĻļ⧇āĻ•ā§āϏāĻĒā§€ā§ŸāĻžāϰ
    āĻŽāĻžāĻ°ā§āĻšā§‡āĻ¨ā§āϟ āĻ…āĻĢ āϭ⧇āύāĻŋāϏ

    āĻˇā§‹ā§œāĻļ āĻļāϤāϕ⧇āϰ āĻ…āĻ¨ā§āϤāĻŋāĻŽā§‡ āϞ⧇āĻ–āĻž āĻāχ āύāĻžāϟāĻ• āĻ…āϏāĻžāĻŽāĻžāĻ¨ā§āϝ āĻ—āĻ āύ āφāϰ āĻŽāύāύ⧇āϰ āĻ•āĻžāϰāϪ⧇ āφāϜāĻ“ āϏāĻŽāĻžāύ āĻĒā§āϰāĻžāϏāĻ™ā§āĻ—āĻŋāĻ•āĨ¤ āĻļ⧇āĻ•ā§āϏāĻĒā§€ā§ŸāĻžāϰ⧇āϰ āϝāĻžāĻŦāĻ¤ā§€ā§Ÿ āϚāϰāĻŋāĻ¤ā§āϰ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āĻ āύāĻžāϟāϕ⧇āϰ āĻļāĻžāχāϞāĻ• āĻ…āύāĻŦāĻĻā§āϝāĨ¤ āϝāĻĻāĻŋāĻ“ āĻĒāĻžāĻ āĻ• āĻŦāĻž āĻĻāĻ°ā§āĻļāĻ• āĻļāĻžāχāϞāĻ•āϕ⧇ āĻŦāϰāĻžāĻŦāϰ āĻ–āϞāϚāϰāĻŋāĻ¤ā§āϰ āĻšāĻŋāϏ⧇āĻŦ⧇āχ āĻĻ⧇āϖ⧇āϛ⧇, āĻāĻŦāĻ‚ āĻ āύāĻžāϟāĻ•āϕ⧇ āĻ•āĻŽā§‡āĻĄāĻŋ āĻ›āĻžā§œāĻž āĻ•āĻŋāϛ⧁ āĻ­āĻžāĻŦ⧇āύāĻŋ, āϤāĻŦ⧁ āĻ…āĻ¨ā§āϤāĻ°ā§āύāĻŋāĻšāĻŋāϤ āĻĒāĻžāĻ  āĻŦāĻž subtext āĻŦāĻĻāϞāĻžā§Ÿ āύāĻžāĨ¤ āĻāĻ•āĻĻāĻŋāϕ⧇ āĻĒā§‹āĻ°ā§āĻļāĻŋ⧟āĻžāϰ āĻ•ā§āώ⧁āϰāϧāĻžāϰ āĻŦ⧁āĻĻā§āϧāĻŋ, āφāϰ āĻ…āĻ¨ā§āϝāĻĻāĻŋāϕ⧇ āϭ⧇āύāĻŋāϏāĻŦāĻžāϏ⧀ āĻāĻ• āĻŦā§āϝāĻŦāϏāĻžā§Ÿā§€āϰ (āύāĻžāĻŽāϚāϰāĻŋāĻ¤ā§āϰ?) āϚāϰāĻŽ āĻŦāĻŋāĻĒāĻ°ā§āĻ¯ā§Ÿā§‡āϰ āĻŸā§āĻ°ā§āϝāĻžāĻœā§‡āĻĄāĻŋ āĻāχ āύāĻžāϟāĻ•āϕ⧇ āĻ¸ā§āĻŽāϰāĻŖā§€ā§Ÿ āĻ•āϰ⧇ āϰ⧇āϖ⧇āϛ⧇āĨ¤ āϏāĻŋāĻĻā§āϧāĻžāĻ°ā§āĻĨ āĻŦāĻŋāĻļā§āĻŦāĻžāϏ⧇āϰ āĻ…āϏāĻžāϧāĻžāϰāĻŖ āĻ­āĻžāώāĻžāĻ¨ā§āϤāϰ⧇ āϚāĻŋāϰāĻ•āĻžāϞ⧇āϰ āύāĻžāϟāĻ• āύāϤ⧁āύ āĻ•āϰ⧇ āωāĻĒāĻ¸ā§āĻĨāĻžāĻĒāĻŋāϤ āĻ āĻ•āĻžāϞ⧇āϰ āĻĒāĻžāĻ āĻ•āĻĻ⧇āϰ āϜāĻ¨ā§āϝāĨ¤

     60.00
    Version : ebook - hardcopy
  • āφāϧ⧁āύāĻŋāĻ• āĻ•āĻŦāĻŋāϤāĻžāϰ āĻāχ āĻŦāĻŋāĻ¸ā§āĻŽā§Ÿ-āĻŦāĻžāϞāϕ⧇āϰ ‘āχāϞ⧁āĻŽāĻŋāύ⧇āĻļāύāϏ’ āύāĻžāĻŽāĻ• āĻ•āĻŦāĻŋāϤāĻžāĻ—ā§āϰāĻ¨ā§āĻĨ āĻĨ⧇āϕ⧇ āĻŦāĻžāϰ⧋āϟāĻŋ āĻ•āĻŦāĻŋāϤāĻžāϰ āĻ­āĻžāώāĻžāĻ¨ā§āϤāϰāĨ¤ āϏāĻ™ā§āϗ⧇ ‘āĻ•āĻŦāĻŋ āϕ⧇?’ āĻāχ āĻŦāĻŋāĻˇā§Ÿā§‡ āĻ•āĻŦāĻŋāϰ āĻ—āĻĻā§āϝāĻ­āĻžāĻˇā§āϝāĨ¤ āĻ­āĻžāώāĻžāĻ¨ā§āϤāϰ : āϏāĻ¨ā§āĻĻā§€āĻĒāύ āĻ­āĻŸā§āϟāĻžāϚāĻžāĻ°ā§āϝāĨ¤

     11.00
  • FOLK TALE OF BENGAL
    The Golden Boat
    Illustrated by Rani Chitrakar

    This is a unique folk story collected verbally and then presented to a folk artist to illustrate the same. The result is this book, illustrated beautifully with patachitras by Rani Chitrakar, one of the most talented artist of the chitrakar community.

     35.00
  • āĻ…āϞāĻ•āĻžāύāĻ¨ā§āĻĻāĻž āϏ⧇āύāϗ⧁āĻĒā§āϤ
    āĻ­āĻžāĻ¸ā§āĻ•āϰ āĻŽā§€āϰāĻž āĻŽā§āĻ–ā§‹āĻĒāĻžāĻ§ā§āϝāĻžā§Ÿā§‡āϰ āĻœā§€āĻŦāύāĻļāĻŋāĻ˛ā§āĻĒ

    āĻŦāĻŋāĻļ āĻļāϤāϕ⧇ āĻ āĻĻ⧇āĻļ⧇āϰ āĻ­āĻžāĻ¸ā§āĻ•āϰāĻĻ⧇āϰ āĻŽāĻ§ā§āϝ⧇ āϏāĻ°ā§āĻŦ āĻ…āĻ°ā§āĻĨ⧇āχ āĻ…āĻ—ā§āϰāĻ—āĻŖā§āϝāĻž āĻ›āĻŋāϞ⧇āύ āĻŽā§€āϰāĻž āĻŽā§āĻ–ā§‹āĻĒāĻžāĻ§ā§āϝāĻžā§ŸāĨ¤ āĻŦāĻŋāώ⧟-āĻ­āĻžāĻŦāύāĻžā§Ÿ āĻāĻŦāĻ‚ āĻĒā§āĻ°ā§Ÿā§‹āĻ—-āĻ•ā§ŒāĻļāϞ⧇ āϤāĻžāρāϰ āĻ•āĻžāϜ āĻāĻ•āĻĻāĻŋāϕ⧇ āϝ⧇āĻŽāύ āĻ–āĻžāρāϟāĻŋ āĻĻ⧇āĻļāϜ, āĻ…āĻ¨ā§āϝ āĻĻāĻŋāϕ⧇ āϤ⧇āĻŽāύāχ āϤāĻž āĻ¸ā§āĻĒāĻ°ā§āĻļ āĻ•āϰ⧇ āφāϛ⧇ āϏāĻ°ā§āĻŦāϜāĻžāϤāĻŋāĻ• āϐāϤāĻŋāĻšā§āϝāĨ¤ āĻļāĻŋāĻ˛ā§āĻĒā§€ āĻŦāĻž āĻ­āĻžāĻ¸ā§āĻ•āϰ āĻšāĻŋāϏ⧇āĻŦ⧇ āϤāĻŋāύāĻŋ āϝ⧇āĻŽāύ āĻ…āύāĻ¨ā§āϝ, āĻŽāĻžāύ⧁āώ āĻšāĻŋāϏ⧇āĻŦ⧇āĻ“ āĻ›āĻŋāϞ⧇āύ āϤ⧇āĻŽāύāχ āĻ…āϏāĻžāϧāĻžāϰāĻŖāĨ¤ āĻœā§€āĻŦāύ āφāϰ āĻļāĻŋāĻ˛ā§āĻĒ āϤāĻžāρāϰ āĻ•āĻžāϛ⧇ āφāϞāĻžāĻĻāĻž āĻ•āĻŋāϛ⧁ āĻ›āĻŋāϞ āύāĻž, āĻŦāϰāĻ‚ āĻĻā§ā§Ÿā§‡ āĻŽāĻŋāϞ⧇ āĻšā§Ÿā§‡ āωāϠ⧇āĻ›āĻŋāϞ āĻ…āύāύ⧁āĻ•āϰāĻŖā§€ā§Ÿ āĻœā§€āĻŦāύāĻļāĻŋāĻ˛ā§āĻĒāĨ¤ āĻāχ āĻŦāĻ‡ā§Ÿā§‡āϰ āϞ⧇āĻ–āĻŋāĻ•āĻž āĻ¸ā§āĻŦ⧟āĻ‚ āĻ­āĻžāĻ¸ā§āĻ•āϰ āĻšāĻ“ā§ŸāĻžāϰ āϏ⧁āĻŦāĻžāĻĻ⧇ āĻāĻ•āϏāĻŽā§Ÿā§‡ āϤāĻžāρāϕ⧇ āĻĻ⧇āϖ⧇āϛ⧇āύ āϖ⧁āĻŦ āĻ•āĻžāĻ› āĻĨ⧇āϕ⧇, āĻāĻŦāĻ‚ āϏ⧇āχ āϏ⧂āĻ¤ā§āϰ⧇āχ āĻŽā§€āϰāĻž-āϰ āĻ•āĻžāĻœā§‡āϰ āĻĒāĻĻā§āϧāϤāĻŋ āĻ“ āĻĒā§āϰāĻ•āϰāϪ⧇āϰ āĻĻāĻŋāĻ•āϟāĻŋ āϝ⧇āĻŽāύ āϤāĻžāρāϰ āĻ•āĻžāϛ⧇ āĻ¸ā§āĻĒāĻˇā§āϟ āĻšā§Ÿā§‡āϛ⧇, āϤ⧇āĻŽāύāχ āĻŽā§€āϰāĻž-āϰ āĻ•āĻžāĻœā§‡āϰ āĻŽāĻ°ā§āĻŽāϜāĻ—āϤāϟāĻŋāĻ“ āϤāĻžāρāϰ āĻ•āĻžāϛ⧇ āĻ…āϧāϰāĻž āĻĨāĻžāϕ⧇āύāĻŋāĨ¤ āĻŽā§€āϰāĻž-āϰ āĻ…āϏāĻ‚āĻ–ā§āϝ āĻ­āĻžāĻ¸ā§āĻ•āĻ°ā§āϝ⧇āϰ āĻ›āĻŦāĻŋ āĻĻāĻŋā§Ÿā§‡ āϏāĻžāϜāĻžāύ⧋ āĻ āĻŦāχ āĻāĻ•āĻĻāĻŋāĻ• āĻĨ⧇āϕ⧇ āĻ…āύāĻ¨ā§āϝāĨ¤

     60.00
  • Meera Mukhopadhyay (1923-98) is considered among the major sculptors of post-1947 India. She had traveled throughout her life in search of real people of our country, recorded their life and culture in detail, and made them immortal in her works in metal. We publish these drawings for the first time from our own collection.

     50.00
  • āĻĒā§āϰāĻ–ā§āϝāĻžāϤ āĻ­āĻžāĻ¸ā§āĻ•āϰ āĻŽā§€āϰāĻž āĻŽā§āĻ–ā§‹āĻĒāĻžāĻ§ā§āϝāĻžāϝāĻŧ (ā§§ā§¯ā§¨ā§Š-ā§¯ā§Ž) āĻāĻ•āĻĻāĻž āύāĻŋāĻœā§‡āϰ āĻšāĻžāϤ⧇ āĻ›āĻŦāĻŋ āĻāρāϕ⧇ āĻ“ āϞāĻŋāϖ⧇ āĻŽā§‚āϞāϤ āϛ⧋āϟāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻāĻŽāύ āĻ•āϝāĻŧ⧇āĻ•āϟāĻŋ āĻŦāχ āϤ⧈āϰāĻŋ āĻ•āϰ⧇āĻ›āĻŋāϞ⧇āύāĨ¤ āĻāϟāĻŋ āϏ⧇āχ āϏāĻŋāϰāĻŋāĻœā§‡āϰ āώāĻˇā§āĻ  āĻāĻŦāĻ‚ āĻļ⧇āώ āĻŦāχāĨ¤ āχ-āĻŦāχ āĻšāĻŋāϏ⧇āĻŦ⧇ āĻĒā§āϰāĻĨāĻŽ āĻĒā§āϰāĻ•āĻžāĻļāĻŋāϤ āĻāχ āĻŦāχ āϛ⧋āϟāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻšāϞ⧇āĻ“ āĻŦāĻĄāĻŧāĻĻ⧇āϰāĻ“ āϏāĻŽāĻžāύ āφāύāĻ¨ā§āĻĻ āĻĻ⧇āĻŦ⧇ āĻŦāϞ⧇ āφāĻŽāĻžāĻĻ⧇āϰ āĻŦāĻŋāĻļā§āĻŦāĻžāϏāĨ¤

     20.00
  • āĻĒā§āϰāĻ–ā§āϝāĻžāϤ āĻ­āĻžāĻ¸ā§āĻ•āϰ āĻŽā§€āϰāĻž āĻŽā§āĻ–ā§‹āĻĒāĻžāĻ§ā§āϝāĻžāϝāĻŧ (ā§§ā§¯ā§¨ā§Š-ā§¯ā§Ž) āĻāĻ•āĻĻāĻž āύāĻŋāĻœā§‡āϰ āĻšāĻžāϤ⧇ āĻ›āĻŦāĻŋ āĻāρāϕ⧇ āĻ“ āϞāĻŋāϖ⧇ āĻŽā§‚āϞāϤ āϛ⧋āϟāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻāĻŽāύ āĻ•āϝāĻŧ⧇āĻ•āϟāĻŋ āĻŦāχ āϤ⧈āϰāĻŋ āĻ•āϰ⧇āĻ›āĻŋāϞ⧇āύāĨ¤ āĻāϟāĻŋ āϏ⧇āχ āϏāĻŋāϰāĻŋāĻœā§‡āϰ āĻĒāĻžā§āϚāĻŽ āĻŦāχāĨ¤ āχ-āĻŦāχ āĻšāĻŋāϏ⧇āĻŦ⧇ āĻĒā§āϰāĻĨāĻŽ āĻĒā§āϰāĻ•āĻžāĻļāĻŋāϤ āĻāχ āĻŦāχ āϛ⧋āϟāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻšāϞ⧇āĻ“ āĻŦāĻĄāĻŧāĻĻ⧇āϰāĻ“ āϏāĻŽāĻžāύ āφāύāĻ¨ā§āĻĻ āĻĻ⧇āĻŦ⧇ āĻŦāϞ⧇ āφāĻŽāĻžāĻĻ⧇āϰ āĻŦāĻŋāĻļā§āĻŦāĻžāϏāĨ¤

     20.00
  • āĻĒā§āϰāĻ–ā§āϝāĻžāϤ āĻ­āĻžāĻ¸ā§āĻ•āϰ āĻŽā§€āϰāĻž āĻŽā§āĻ–ā§‹āĻĒāĻžāĻ§ā§āϝāĻžāϝāĻŧ (ā§§ā§¯ā§¨ā§Š-ā§¯ā§Ž) āĻāĻ•āĻĻāĻž āύāĻŋāĻœā§‡āϰ āĻšāĻžāϤ⧇ āĻ›āĻŦāĻŋ āĻāρāϕ⧇ āĻ“ āϞāĻŋāϖ⧇ āĻŽā§‚āϞāϤ āϛ⧋āϟāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻāĻŽāύ āĻ•āϝāĻŧ⧇āĻ•āϟāĻŋ āĻŦāχ āϤ⧈āϰāĻŋ āĻ•āϰ⧇āĻ›āĻŋāϞ⧇āύāĨ¤ āĻāϟāĻŋ āϏ⧇āχ āϏāĻŋāϰāĻŋāĻœā§‡āϰ āϚāϤ⧁āĻ°ā§āĻĨ āĻŦāχāĨ¤ āχ-āĻŦāχ āĻšāĻŋāϏ⧇āĻŦ⧇ āĻĒā§āϰāĻĨāĻŽ āĻĒā§āϰāĻ•āĻžāĻļāĻŋāϤ āĻāχ āĻŦāχ āϛ⧋āϟāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻšāϞ⧇āĻ“ āĻŦāĻĄāĻŧāĻĻ⧇āϰāĻ“ āϏāĻŽāĻžāύ āφāύāĻ¨ā§āĻĻ āĻĻ⧇āĻŦ⧇ āĻŦāϞ⧇ āφāĻŽāĻžāĻĻ⧇āϰ āĻŦāĻŋāĻļā§āĻŦāĻžāϏāĨ¤

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  • āĻĒā§āϰāĻ–ā§āϝāĻžāϤ āĻ­āĻžāĻ¸ā§āĻ•āϰ āĻŽā§€āϰāĻž āĻŽā§āĻ–ā§‹āĻĒāĻžāĻ§ā§āϝāĻžāϝāĻŧ (ā§§ā§¯ā§¨ā§Š-ā§¯ā§Ž) āĻāĻ•āĻĻāĻž āύāĻŋāĻœā§‡āϰ āĻšāĻžāϤ⧇ āĻ›āĻŦāĻŋ āĻāρāϕ⧇ āĻ“ āϞāĻŋāϖ⧇ āĻŽā§‚āϞāϤ āϛ⧋āϟāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻāĻŽāύ āĻ•āϝāĻŧ⧇āĻ•āϟāĻŋ āĻŦāχ āϤ⧈āϰāĻŋ āĻ•āϰ⧇āĻ›āĻŋāϞ⧇āύāĨ¤ āĻāϟāĻŋ āϏ⧇āχ āϏāĻŋāϰāĻŋāĻœā§‡āϰ āϤ⧃āĻ¤ā§€ā§Ÿ āĻŦāχāĨ¤ āχ-āĻŦāχ āĻšāĻŋāϏ⧇āĻŦ⧇ āĻĒā§āϰāĻĨāĻŽ āĻĒā§āϰāĻ•āĻžāĻļāĻŋāϤ āĻāχ āĻŦāχ āϛ⧋āϟāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻšāϞ⧇āĻ“ āĻŦāĻĄāĻŧāĻĻ⧇āϰāĻ“ āϏāĻŽāĻžāύ āφāύāĻ¨ā§āĻĻ āĻĻ⧇āĻŦ⧇ āĻŦāϞ⧇ āφāĻŽāĻžāĻĻ⧇āϰ āĻŦāĻŋāĻļā§āĻŦāĻžāϏāĨ¤

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  • āĻĒā§āϰāĻ–ā§āϝāĻžāϤ āĻ­āĻžāĻ¸ā§āĻ•āϰ āĻŽā§€āϰāĻž āĻŽā§āĻ–ā§‹āĻĒāĻžāĻ§ā§āϝāĻžāϝāĻŧ (ā§§ā§¯ā§¨ā§Š-ā§¯ā§Ž) āĻāĻ•āĻĻāĻž āύāĻŋāĻœā§‡āϰ āĻšāĻžāϤ⧇ āĻ›āĻŦāĻŋ āĻāρāϕ⧇ āĻ“ āϞāĻŋāϖ⧇ āĻŽā§‚āϞāϤ āϛ⧋āϟāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻāĻŽāύ āĻ•āϝāĻŧ⧇āĻ•āϟāĻŋ āĻŦāχ āϤ⧈āϰāĻŋ āĻ•āϰ⧇āĻ›āĻŋāϞ⧇āύāĨ¤ āĻāϟāĻŋ āϏ⧇āχ āϏāĻŋāϰāĻŋāĻœā§‡āϰ āĻĻā§āĻŦāĻŋāĻ¤ā§€ā§Ÿ āĻŦāχāĨ¤ āϛ⧋āϟāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻšāϞ⧇āĻ“ āĻŦāĻĄāĻŧāĻĻ⧇āϰāĻ“ āϤāĻž āϏāĻŽāĻžāύ āφāύāĻ¨ā§āĻĻ āĻĻ⧇āĻŦ⧇ āĻŦāϞ⧇ āφāĻŽāĻžāĻĻ⧇āϰ āĻŦāĻŋāĻļā§āĻŦāĻžāϏāĨ¤

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  • āĻĒā§āϰāĻ–ā§āϝāĻžāϤ āĻ­āĻžāĻ¸ā§āĻ•āϰ āĻŽā§€āϰāĻž āĻŽā§āĻ–ā§‹āĻĒāĻžāĻ§ā§āϝāĻžāϝāĻŧ (ā§§ā§¯ā§¨ā§Š-ā§¯ā§Ž) āĻāĻ•āĻĻāĻž āύāĻŋāĻœā§‡āϰ āĻšāĻžāϤ⧇ āĻ›āĻŦāĻŋ āĻāρāϕ⧇ āĻ“ āϞāĻŋāϖ⧇ āĻŽā§‚āϞāϤ āϛ⧋āϟāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻāĻŽāύ āĻ•āϝāĻŧ⧇āĻ•āϟāĻŋ āĻŦāχ āϤ⧈āϰāĻŋ āĻ•āϰ⧇āĻ›āĻŋāϞ⧇āύāĨ¤ āĻāϟāĻŋ āϏ⧇āχ āϏāĻŋāϰāĻŋāĻœā§‡āϰ āĻĒā§āϰāĻĨāĻŽ āĻŦāχāĨ¤ āϛ⧋āϟāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻšāϞ⧇āĻ“ āĻŦāĻĄāĻŧāĻĻ⧇āϰāĻ“ āϤāĻž āϏāĻŽāĻžāύ āφāύāĻ¨ā§āĻĻ āĻĻ⧇āĻŦ⧇ āĻŦāϞ⧇ āφāĻŽāĻžāĻĻ⧇āϰ āĻŦāĻŋāĻļā§āĻŦāĻžāϏāĨ¤

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  • āĻļā§āϰāĻŽ āφāχāύ, āĻļā§āϰāĻŽāĻŋāĻ•āĻĻ⧇āϰ āĻŦāĻŋāĻˇā§Ÿā§‡ āϝ⧇-āϏāĻŦ āφāχāύ āφāĻŽāĻžāĻĻ⧇āϰ āĻĻ⧇āĻļ⧇ āϚāĻžāϞ⧁ āφāϛ⧇, āĻ›āĻŋāϞ, āϏ⧇ āϏāĻŦ āĻāĻ–āύ āĻŦāĻĻāϞāĻžāύ⧋ āϚāϞāϛ⧇⧎ āĻŦāĻĻāϞāĻžāύ⧋āϰ āĻĒā§āϰāĻ¸ā§āϤāĻžāĻŦ āĻ•āϰāĻž āĻšāĻšā§āϛ⧇⧎ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϰāĻžāĻœā§āϝ⧇ āĻāĻŦāĻ‚ āϕ⧇āĻ¨ā§āĻĻā§āϰ⧇⧎ āĻŦāĻĻāϞ⧇ āĻĻ⧇āĻ“ā§ŸāĻž āĻāχ āϏāĻŦ āφāχāύ, āĻĒā§āϰāĻĨāĻŽā§‡ āĻāĻ•āϟāĻž-āĻāĻ•āϟāĻž āĻ•āϰ⧇ āĻāχ āϞ⧇āĻ–āĻžā§Ÿ āĻŦāϞāĻž āĻšā§Ÿā§‡āϛ⧇āĨ¤ āϤāĻžāϰāĻĒāϰ āĻĻ⧇āĻ–āĻžāύ⧋ āĻšā§Ÿā§‡āϛ⧇ āĻāχ āϏāĻŦ āφāχāύ āĻŦāĻĻāϞ⧇ āĻĢ⧇āϞāĻžāϰ āϜāĻ¨ā§āϝ āϕ⧀-āϕ⧀ āϝ⧁āĻ•ā§āϤāĻŋ āϏāĻžāϜāĻžāĻšā§āϛ⧇ āϏāϰāĻ•āĻžāϰ⧎ āφāϰ āϏ⧇ āϝ⧁āĻ•ā§āϤāĻŋ āϕ⧇āύ āĻ—ā§āϰāĻšāĻŖā§€ā§Ÿ āύ⧟āĨ¤ āϏ⧇āχ āϏ⧂āĻ¤ā§āϰ⧇āχ āĻŦā§‹āĻāĻž āϝāĻžāĻŦ⧇ āϕ⧇āύ āĻāχ āĻŦāĻĻāϞ⧇āϰ āĻŦāĻŋāϰ⧋āϧāĻŋāϤāĻž āĻ•āϰāĻž āĻĻāϰāĻ•āĻžāϰāĨ¤ āϤāĻžāχ āĻļ⧇āώ⧇ āĻŦāϞāĻž āĻšā§Ÿā§‡āϛ⧇ āĻāϰ āĻŦāĻŋāϰ⧋āϧāĻŋāϤāĻžā§Ÿ āĻļā§āϰāĻŽāĻŋāĻ•āĻĻ⧇āϰ āϕ⧀ āĻ•āϰāĻŖā§€ā§Ÿ, āϤāĻž-āχ āύāĻŋā§Ÿā§‡ā§ˇ āϏ⧁āĻ–ā§āϝāĻžāϤ āĻŦāĻŋāĻļā§āϞ⧇āώāĻ• āĻļ⧁āϭ⧇āĻ¨ā§āĻĻ⧁ āĻĻāĻžāĻļāϗ⧁āĻĒā§āϤ⧇āϰ āĻāχ āϛ⧋āĻŸā§āϟ āĻŦāχāϟāĻŋ āĻ āϏāĻŽā§Ÿāϕ⧇ āĻŦ⧁āĻāϤ⧇ āϜāϰ⧁āϰāĻŋāĨ¤

     20.00
  • Shyamali Khastgir (1940-2101) was an artist and one of the leading social activists in the sphere of environment, anti-nuclear campaign, and other important concerns of life and nature.
    This series of drawings is the first one of the twin e-albums of Shyamali from a personal collection, presented here for the first time.

     45.00
  • Shyamali Khastgir (1940-2101) was an artist and one of the leading social activists in the sphere of environment, anti-nuclear campaign, and other important concerns of life and nature.
    This series of drawings is the first one of the twin e-albums of Shyamali from a personal collection, presented here for the first time.

     45.00
  • AMRIT GANGAR
    cinema. culture. capital context: india

    This book examines and reflects upon a wide range of issues relating to Indian cinema, including the filmosophical ones that have never been touched upon before. The book will appeal to students and scholars of film and cultural studies as well as the general reader interested in reflecting upon the Indian cinema differently.

     225.00
    Version : ebook - hardcopy
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