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BHOLANATH BHATTACHARYA
Esoteric Cults of Consort Worship in BengalFrom the very days of inception woman breeds a sense of fear as well as devotion in the minds of man due to her mysterious relation with the process of creation. Worshipping woman as a symbol of power of creation and fertility also started from then. At the preliminary stage woman was worshipped as mother. Later, as man also found himself as a contributor in this process of creation, woman started herself being worshipped as companion. The author gives a description of these confined cults which are practised in different parts of Bengal in India for a long time.
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SARAT CHANDRA DAS
Autobiography: Narrative of the Incidents of My Early LifeSarat Chandra Das, the famous Bengali explorer and scholar of the nineteenth century, went to Tibet twice, first in 1879 and second time in 1881-82. At a time, when Tibet was a forbidden land for foreigners, Das, in the guise of a Buddhist lama, surveyed unknown regions of Kangchenjunga massif and Tibet on behalf of the British Government of India. He was the third Indian to reach Lhasa in 1882. During his journeys through the Himalayas, Das crossed passes higher than 20,000 ft without the aid of modern mountaineering equipment, which has been acknowledged as a remarkable feat. Apart from his contributions on the geographical research, Das, a scholar of the Tibetan language and Buddhism, collected and later dispersed a lot of information on the cultural and social life, religion and politics of Tibet, which was, at his time, little known to the world. This Autobiography of Sarat Chandra Das was first published serially in the Modern Review during 1908-09. Later in 1969, it was published as a book by Indian studies: past & present, edited by Dr. Mahadevprasad Saha, which is the basis of this facsimile edition. The Autobiography, as the name suggests, narrates the early part of Sarat Dasâs life and his first visit to Tibet made in 1879.
₹ 100.00 -
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₹ 35.00 -
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PAUL GAUGUIN
Noa Noa: The Tahiti JournalOne of the most prominent post-impressionist artists, Paul Gauguin left his family and country only to move to the country of the so-called âuncivilizedâ Maoris for the sake of painting. There he stayed with the Maoris, noted every intrinsic details of their livelihood and collected their mythology and folklores. He detailed every aspects of them in this book, elaborated the picture of a great civilization. Added with these are reproductions of many of his paintings drawn during his Tahiti days.
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ANANDA K COOMARASWAMY
The Indian CraftsmanClosely associated with the Tagore family of Jorasanko and the Swadeshi movement of Bengal, this eminent art-historian of the early twentieth century did not discriminate the art of the rural folk with the great religious arts of the rich and urban people. He saw it as conscientious expression of both the artisans as well as the civilization that nurtured it. Creativity of an ordinary earthen pot was equally valuable to him as with that of a gigantic temple. This is a rare and important book by Coomaraswamy who is regarded as the successor of Blake, Ruskin and William Morris in aesthetic point of view.
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SHYAMADAS CHAKRABORTTY
My master Pandit Ravi ShankarPandit Ravi Shankarâs direct disciple of many decades, Sri Shyamadas Chakrabortty has reminisced in this book the memories of his âGuruâ. In separate chapters memories of Ustad Allauddin Khan, Annapurna Devi and Ustad Ali Akbar Khan have been added. Rare and diversified dimensions of these musical Greats have been unearthed in this book, probably for the first time. The author was also a part of the entourage of Guruji during the cultural tour of China in 1983. The author depicts elaborate descriptions of that tour here in this book. Rare photographs, which were till date in the authorâs possession, have been printed here. Music-lovers will certainly be charmed with the quality of this collectible book.
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āĻ āĻ¸ā§āĻā§āĻ° āĻāĻŦāĻŋāĻŦāĻŋāĻļāĻŋāĻˇā§āĻ āĻāĻŋāĻ¤ā§āĻ°āĻļāĻŋāĻ˛ā§āĻĒā§, āĻ āĻ¸āĻāĻā§āĻ¯ āĻŦāĻžāĻāĻ˛āĻž āĻŦāĻā§ā§āĻ° āĻĒā§āĻ°āĻā§āĻāĻĻāĻāĻžāĻ° āĻ āĻŦāĻŋāĻā§āĻāĻžāĻĒāĻ¨ āĻ¤ā§āĻ°āĻŋāĻ° āĻ¯āĻžāĻĻā§āĻāĻ° āĻĒā§āĻĨā§āĻŦā§āĻļ āĻāĻā§āĻā§āĻĒāĻžāĻ§ā§āĻ¯āĻžā§ āĻŦāĻŋāĻāĻŋāĻ¨ā§āĻ¨ āĻ¸āĻŽā§ā§ āĻŦā§āĻļ āĻāĻŋāĻā§ āĻāĻĻā§āĻ¯āĻ āĻ˛āĻŋāĻā§āĻā§āĻ¨, āĻŦāĻ āĻšāĻŋāĻ¸ā§āĻŦā§ āĻāĻāĻ¨āĻ āĻ¤āĻž āĻĒā§āĻ°āĻāĻžāĻļāĻŋāĻ¤ āĻšāĻ˛ā§āĻ āĻāĻāĻ¨ āĻāĻ° āĻ¤āĻžāĻ° āĻĒā§āĻ°āĻžā§ āĻāĻŋāĻā§āĻ āĻĒāĻžāĻā§āĻž āĻ¯āĻžā§ āĻ¨āĻžāĨ¤ āĻāĻŽāĻ¨āĻ āĻāĻ āĻŦāĻ ‘āĻ āĻ¸ā§āĻā§āĻ° āĻāĻŦāĻŋ’āĨ¤
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āĻ¤āĻžāĻāĻ° āĻāĻžāĻ¨ : āĻāĻŽāĻžāĻ° āĻāĻžāĻā§āĻŦāĻŋāĻļāĻŋāĻˇā§āĻ āĻ°āĻŦā§āĻ¨ā§āĻĻā§āĻ°āĻ¸āĻāĻā§āĻ¤ āĻļāĻŋāĻ˛ā§āĻĒā§, āĻļāĻŋāĻā§āĻˇāĻ āĻ āĻ¸āĻžāĻāĻ¸ā§āĻā§āĻ¤āĻŋāĻ āĻ¸āĻāĻāĻ āĻ āĻļā§āĻ°ā§āĻŽā§ā§ āĻ¸āĻ¨ā§âāĻā§āĻĻāĻž āĻāĻžāĻ¤ā§āĻ¨ā§āĻ° āĻ°āĻŦā§āĻ¨ā§āĻĻā§āĻ°āĻ¸āĻāĻā§āĻ¤, āĻ°āĻŦā§āĻ¨ā§āĻĻā§āĻ°āĻ¸āĻžāĻšāĻŋāĻ¤ā§āĻ¯ āĻ āĻ¸āĻŽā§āĻĒāĻ°ā§āĻāĻŋāĻ¤ āĻŦāĻŋāĻˇā§ā§ āĻ°āĻāĻŋāĻ¤ āĻāĻāĻā§āĻā§āĻ āĻĒā§āĻ°āĻŦāĻ¨ā§āĻ§ā§āĻ° āĻ¸āĻāĻāĻ˛āĻ¨āĨ¤
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Bholanath Bhattacharya
Krishna in the traditional paintings of BengalThis monograph deals with the history of the pat in various parts of India, the evolution of the pat of Bengal with a special analysis of the Kalighat branch, the patuas, and lastly the history and significance of the Krishna cult in lndia in general and Bengal in particular and the place of this cult in the traditional painting of Bengal. Although the traditional pat of Bengal has had for its subject a host of religious and social themes, the present monograph seeks to introduce the reader to it through illustrations of pats from the author’s personal collection dealing with one particular Hindu deity, namely, Lord Krishna.
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