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  • āĻļāĻžāĻšāĻĻ⧁āĻœā§āϜāĻžāĻŽāĻžāύ
    āϚāĻŋāϰāϕ⧁āĻŸÂ 

    āĻĒā§āϰāĻĨāĻŽ āφāϞ⧋-⧟ āĻĒā§āϰāĻ•āĻžāĻļāĻŋāϤ āĻ•āϞāĻžāĻŽ-āĻāϰ āύāĻŋāĻ°ā§āĻŦāĻžāϚāĻŋāϤ āϏāĻ‚āĻ•āϞāύāĨ¤

     250.00
  • āĻŽā§‹. āφāĻŦāĻĻ⧁āϞ āφāϜāĻŋāϜ
    āĻĢāĻžāχāύāĻŽā§āϝāĻžāύ⧇āϰ āĻ…āĻ¨ā§āϤāϰāĻ™ā§āĻ— āĻ•āĻžāĻšāĻŋāύāĻŋ 

    āύ⧋āĻŦ⧇āϞāĻŦāĻŋāĻœā§Ÿā§€ āĻ–ā§āϝāĻžāϤāύāĻžāĻŽāĻž āĻŦāĻŋāĻœā§āĻžāĻžāύ⧀āϰ āĻ…āĻ¨ā§āϤāϰāĻ™ā§āĻ— āĻœā§€āĻŦāύāĻ•āĻžāĻšāĻŋāύāĻŋāĨ¤

     200.00
  • Mother Earth Responds 
    Green Poems and Alternative Visions

    A collection of poems, essays and narratives.

     150.00
  • Edgar Degas
    by Patrick Bade

    Degas was closest to Renoir in the impressionist’s circle. He started his apprenticeship in 1853 at the studio of Louis-Ernest Barrias and, beginning in 1854, studied under Louis Lamothe, who revered Ingres above all others and transmitted his adoration for this master to Edgar Degas. Starting in 1854, Degas frequently traveled to Italy where he copied from the Old Masters. His drawings and sketches already revealed very clear preferences, especially in Raphael, Leonardo da Vinci, Michelangelo, and Mantegna. After his first compositions, which depicted horses, Degas made yet another discovery. His first painting devoted solely to the ballet was Le Foyer de la danse à l’OpÊra de la rue Le

    Peletier (The Dancing Anteroom at the Opera on Rue Le Peletier, MusÊe d’Orsay, Paris). In a carefully constructed composition, with groups of fi gures balancing one another to the left and the right, each ballet dancer is involved in her own activity, each moving in a separate manner from the others. Extended observation and an immense number of sketches were essential to executing such a task. Ballet would remain his passion until the end.

     Used Book, Hardbound, 200 pages

     400.00
  • Henri de Tolouse-Lautrec 
    by Patrick Bade

    Whether madonna, muse or temptress, women have been a source of artistic inspiration throughout history. In the Reveries series, Parkstone pays tribute to the important contribution women have made to artists by uplifting their spirits and giving free reign to their fantasies. We invite you to share the erotic world of well-known painters such as Degas and Schiele.

    This new genre of art book offers a glimpse into the private lives of some of the most influential artists of modern times. The most striking features of the Reveries series are their brief texts, sophisticated layouts, and high-quality reproductions. Each title pays homage to the artists oeuvre and the elegant layouts include some rarely-seen images.

    Every page benefits from a unique design and offers a unique setting for some of the most sensual works of Degas, Schiele. Modigliani and Toulouse-Lautrec. These publications should be considered as works of art themselves, a delight for the enthusiast; instructive for the novice; a welcome and valuable addition to any library.

    Used Book, Hardbound, 120 pages

     400.00
  • āĻļ⧁āϭ⧇āĻ¨ā§āĻĻ⧁ āĻĻāĻžāĻļāϗ⧁āĻĒā§āϤ āϏāĻŽā§āĻĒāĻžāĻĻāĻŋāϤ
    āĻœā§‡āϞāĻ–āĻžāύāĻžā§Ÿ āϞ⧇āĻ–āĻž āϏāĻ¤ā§āϤāĻ°Â 

    ⧧⧝⧭ā§Ļ-āĻāϰ āĻĻāĻļāϕ⧇ āĻŦ⧈āĻĒā§āϞāĻŦāĻŋāĻ• āφāĻ¨ā§āĻĻā§‹āϞāύ⧇ āϜ⧜āĻŋā§Ÿā§‡ āĻĒā§œā§‡ āϝāĻžāρāϰāĻž āĻ•āĻžāϰāĻžāĻŦāĻ¨ā§āĻĻāĻŋ āĻšā§Ÿā§‡āĻ›āĻŋāϞ⧇āύ, āĻ•āĻžāϰāĻžāĻ¨ā§āϤāϰāĻžāϞ āĻĨ⧇āϕ⧇ āϤāĻžāρāĻĻ⧇āϰ āϞ⧇āĻ–āĻž āĻ—āĻ˛ā§āĻĒ, āĻ•āĻŦāĻŋāϤāĻž, āωāĻĒāĻ¨ā§āϝāĻžāϏ, āϚāĻŋāĻ āĻŋ āχāĻ¤ā§āϝāĻžāĻĻāĻŋāϰ āϏāĻ‚āĻ•āϞāύāĨ¤

     500.00
  • Salman Rushdie
    Enchantress of Florence

    This ninth novel penned by Salman Rushdie contains major themes such as eroticism, sex and humanism, and a debate as opposed to authoritarianism. It could be considered as a work of magic realism. The story is about the visit of a European to the Mughal emperor, Akbar’s court. He claims that he is born of an exiled Indian princess and an Italian from Florence and that he is a long lost relative of the king. Will the Mughal emperor believe him?

     150.00
  • Haruki Murakami
    The Elephant Vanishes

    Used Book, 228 pages

     150.00
  • Haruki Murakami
    Kafka on the Shore

    Used Book, 616 pages

     200.00
  • Haruki Murakami
    Underground

     

     150.00
  • Haruki Murakami
    Killing Commendatore 

     250.00
  • āϏ⧁āĻĒāĻ°ā§āĻŖāĻž āϞāĻžāĻšāĻŋā§œā§€ āĻŦ⧜⧁⧟āĻž
    āĻŦāĻĻāϞ⧇ āϝāĻžāĻšā§āϛ⧇ āĻ–āĻžāϏāĻŋ āĻŽāĻžā§Ÿā§‡āĻĻ⧇āϰ āĻ—āĻ˛ā§āĻĒ 

    āωāĻ¤ā§āϤāϰ-āĻĒā§‚āĻ°ā§āĻŦāĻžāĻžā§āϚāϞ⧇āϰ āϛ⧋āĻŸā§āϟ āĻĒāĻžāĻšāĻžāĻĄāĻŧāĻŋ āĻĻ⧇āĻļ āĻŽā§‡āϘāĻžāϞ⧟ – āĻŽā§‡āĻ˜ā§‡āĻĻ⧇āϰ āĻŦāĻžāĻĄāĻŧāĻŋāĨ¤ āϤāĻŋāύāĻŸā§‡ āĻĒāĻžāĻšāĻžāĻĄāĻŧ āĻĻāĻŋā§Ÿā§‡ āĻ˜ā§‡āϰāĻž āĻāχ āĻĻ⧇āĻļ – āĻ–āĻžāϏāĻŋ-āĻ—āĻžāϰ⧋-āϜ⧟āĻ¨ā§āϤāĻŋ⧟āĻžāĨ¤ āĻŽā§‚āϞ āĻ…āϧāĻŋāĻŦāĻžāϏ⧀āϰāĻžāĻ“ āĻ–āĻžāϏāĻŋ-āĻ—āĻžāϰ⧋ āφāϰ āϜ⧟āĻ¨ā§āϤāĻŋ⧟āĻž āϜāύāϜāĻžāϤāĻŋāϰāĨ¤ āĻŽā§‡āϘāĻžāĻ˛ā§Ÿā§‡āϰ āϏāĻŽāĻ¸ā§āϤ āϜāύāϜāĻžāϤāĻŋāϰ āϏāĻŽāĻžāϜāχ āĻŽāĻžāϤ⧃āĻĒā§āϰāϧāĻžāύ, āĻŽāĻžā§Ÿā§‡āϰ āĻŦāĻ‚āĻļ-āĻĒāϰāĻŋāĻšā§Ÿā§‡āχ āϏ⧇āĻ–āĻžāύ⧇ āϏāĻ¨ā§āϤāĻžāύ⧇āϰ āĻĒāϰāĻŋāϚ⧟āĨ¤ āĻŽāĻžā§Ÿā§‡āϰāĻžāχ āĻŽā§‚āϞāϤ āĻŦāĻšāύ āĻ•āϰ⧇ āϏāĻ¨ā§āϤāĻžāύ⧇āϰ āĻĻāĻžā§ŸāĻŋāĻ¤ā§āĻŦāĨ¤ āĻĒāĻŋāϤ⧃āϤāĻžāĻ¨ā§āĻ¤ā§āϰāĻŋāĻ• āĻĒāϰāĻŋāĻ•āĻžāĻ āĻžāĻŽā§‹āϰ āĻŦāĻŋāĻĒāϰ⧀āϤ⧇ āĻāχ āϝ⧇ āĻŽāĻžāϤ⧃āĻĒā§āϰāĻžāϧāĻžāĻ¨ā§āϝ⧇āϰ āϏāĻŽāĻžāϜ – āϕ⧇āĻŽāύ āϏ⧇āχ āϏāĻŽāĻžāϜ? āĻ āĻ•āĻĨāĻž āϜāĻžāύāĻžāϰ āφāĻ—ā§āϰāĻšā§‡ āĻāχ āĻŦāĻ‡ā§Ÿā§‡ āφāĻĒāĻžāϤāϤ āĻ–āĻžāϏāĻŋ āϜāύāϜāĻžāϤāĻŋāϰ āϏāĻŽāĻžāϜāϕ⧇ āĻŦ⧇āϛ⧇ āύāĻŋā§Ÿā§‡āϛ⧇āύ āϞ⧇āĻ–āĻŋāĻ•āĻžāĨ¤ āĻ—āϤ āĻ•ā§Ÿā§‡āĻ• āĻŦāĻ›āϰ āϧāϰ⧇ āĻ āϜāĻ¨ā§āϝ āϤāĻŋāύāĻŋ āĻ–āĻžāϏāĻŋ āϞ⧋āĻ•āĻ•āĻĨāĻž, āĻ—āĻ˛ā§āĻĒ, āĻ•āĻŦāĻŋāϤāĻž, āĻŽā§‡āϘāĻžāϞ⧟ āĻĨ⧇āϕ⧇ āĻĒā§āϰāĻ•āĻžāĻļāĻŋāϤ āĻ–āĻžāϏāĻŋ āĻ–āĻŦāϰ⧇āϰ āĻ•āĻžāĻ—āϜ, āĻĒāĻ¤ā§āϰāĻĒāĻ¤ā§āϰāĻŋāĻ•āĻž āχāĻ¤ā§āϝāĻžāĻĻāĻŋ āĻĒā§œā§‡āϛ⧇āύ; āĻŦāĻžāϰāĻ‚āĻŦāĻžāϰ āĻŽā§‡āϘāĻžāĻ˛ā§Ÿā§‡ āϗ⧇āϛ⧇āύ, āĻĒā§āϰāĻ¤ā§āϝāĻ¨ā§āϤ āϏāĻŦ āĻāϞāĻžāĻ•āĻžā§Ÿ āĻĒāĻžā§œāĻŋ āĻĻāĻŋā§Ÿā§‡āϛ⧇āύ; āϏ⧇āĻ–āĻžāύāĻ•āĻžāϰ āĻŽāĻŋāωāϜāĻŋ⧟āĻžāĻŽ, āĻŦāĻžāϜāĻžāϰ, āĻŦāĻ‡ā§Ÿā§‡āϰ āĻĻā§‹āĻ•āĻžāύ⧇ āϗ⧇āϛ⧇āύ; āĻ–āĻžāϏāĻŋ āϏāĻŽāĻžāĻœā§‡āϰ āĻŽāĻžāύ⧁āώ, āĻŦāĻŋāĻļ⧇āώāϤ āĻŽā§‡ā§Ÿā§‡āĻĻ⧇āϰ āϏāĻ™ā§āϗ⧇ āĻŦāĻ¨ā§āϧ⧁āĻ¤ā§āĻŦ⧇āϰ āϏāĻŽā§āĻĒāĻ°ā§āĻ• āϤ⧈āϰāĻŋ āĻ•āϰ⧇āϛ⧇āύāĨ¤ āĻ āĻŦāχ āϤāĻžāϰ āĻĢāϏāϞāĨ¤ āĻ…āϤ⧀āϤ āĻĨ⧇āϕ⧇ āĻŦāĻ°ā§āϤāĻŽāĻžāύ, āĻ–āĻžāϏāĻŋ āϏāĻŽāĻžāĻœā§‡āϰ āĻāĻ• āϏāĻžāĻ°ā§āĻŦāĻŋāĻ• āĻĒāϰāĻŋāϚ⧟ āϧāϰāĻž āĻĨāĻžāĻ•āϞ āĻāχ āĻŦāχāϤ⧇āĨ¤

     100.00
  • āϏ⧁āĻšā§ƒāĻĻāϕ⧁āĻŽāĻžāϰ āϭ⧌āĻŽāĻŋāĻ•
    āĻāĻžā§œāĻ–āĻŖā§āĻĄā§‡ āĻŽāĻšāĻžāĻĒā§āϰāϭ⧁

    āĻāĻžā§œāĻ–āĻŖā§āĻĄ āύāĻžāĻŽāϟāĻŋ āύ⧂āϤāύ āύ⧟āĨ¤ āϚ⧈āϤāĻ¨ā§āϝ āĻŽāĻšāĻžāĻĒā§āϰāϭ⧁āϰ āϏāĻŽā§Ÿā§‡ āĻāχ āĻ…āĻžā§āϚāϞ āĻāχ āύāĻžāĻŽā§‡āχ āĻĒāϰāĻŋāϚāĻŋāϤ āĻ›āĻŋāϞāĨ¤ ā§¨ā§ŠāĻļ āϜ⧈āύ āϤ⧀āĻ°ā§āĻĨāĻ™ā§āĻ•āϰ āĻĒāĻžāĻļā§āĻŦāĻ°ā§āĻŖāύāĻžāĻĨ āĻĒāĻžāĻšāĻžā§œā§‡ āύāĻŋāĻ°ā§āĻŦāĻžāĻŖ āϞāĻžāĻ­ āĻ•āϰ⧇āύāĨ¤ ⧍ā§ĒāĻļ āϜ⧈āύ āϤ⧀āĻ°ā§āĻĨāĻ™ā§āĻ•āϰ āĻŽāĻšāĻžāĻŦā§€āϰ āĻŦāĻž āĻŦāĻ°ā§āϧāĻŽāĻžāύāĻ¸ā§āĻŦāĻžāĻŽā§€ āϜ⧈āύ āϧāĻ°ā§āĻŽ āĻĒā§āϰāϚāĻžāϰāĻ•āĻ˛ā§āĻĒ⧇ āĻļāĻŋāĻˇā§āϝāĻŦ⧃āĻ¨ā§āĻĻ-āϏāĻš āĻŦāĻžāϰ⧋ āĻŦāĻ›āϰ ‘āϞāĻžā§œāĻžâ€™ āĻŦāĻž ‘āϰāĻžā§â€™āĻ­ā§‚āĻŽāĻŋāϤ⧇ āĻ­ā§āϰāĻŽāĻŖ āĻ•āϰ⧇āĻ›āĻŋāϞ⧇āύāĨ¤ ā§Ģā§Ēā§­-āϏāĻ‚āĻ–ā§āϝāĻ• āĻŦāĻŋāĻļā§āĻŦāĻŽā§āĻ­āϰ āϜāĻžāϤāϕ⧇āϰ āĻ•āĻžāĻšāĻŋāύ⧀ āĻ…āύ⧁āϏāĻžāϰ⧇ āĻ­āĻ—āĻŦāĻžāύ āĻŦ⧁āĻĻā§āϧ āĻĒā§‚āĻ°ā§āĻŦāϜāĻ¨ā§āĻŽā§‡ āĻŦāĻ™ā§āϕ⧁āĻ—āĻŋāϰāĻŋ āĻĒāĻžāĻšāĻžā§œā§‡ āϤāĻĒāĻ¸ā§āϝāĻžāϰāϤ āĻ…āĻŦāĻ¸ā§āĻĨāĻžā§Ÿ āĻŽāĻžāϰāĻž āϝāĻžāύāĨ¤ āĻŦāĻ™ā§āϕ⧁āĻ—āĻŋāϰāĻŋ āĻŦāĻ°ā§āϤāĻŽāĻžāύ āĻŦāĻžāρāĻ•ā§ā§œāĻžāϰ āĻļ⧁āĻļ⧁āύāĻŋ⧟āĻž āĻĒāĻžāĻšāĻžā§œāĨ¤ āĻŦ⧁āĻĻā§āϧāĻĻ⧇āĻŦ āĻŦā§‹āϧāĻŋāϞāĻžāϭ⧇āϰ āĻĒāϰ āĻāχ āĻĒāĻžāĻšāĻžā§œā§‡ āĻāϏ⧇āĻ›āĻŋāϞ⧇āύāĨ¤ āϜāύāĻļā§āϰ⧁āϤāĻŋ āϝ⧇ āϰāĻžāρāϚāĻŋ āϜāĻŋāϞāĻžāϰ āύāĻŋāĻ°ā§āϜāύ āϜāύāĻšāĻž āϜāϞāĻĒā§āϰāĻĒāĻžāϤ⧇āϰ āĻāĻ• āϗ⧁āĻšāĻžā§Ÿ āĻ—ā§ŒāϤāĻŽ āĻŦ⧁āĻĻā§āϧ āĻ•āĻŋāϛ⧁āĻĻāĻŋāύ āϤāĻĒāĻ¸ā§āϝāĻž āĻ•āϰ⧇āĻ›āĻŋāϞ⧇āύāĨ¤ āĻ­āĻ—āĻŦāĻžāύ āĻŦ⧁āĻĻā§āϧ⧇āϰ āĻŦāĻšā§ āĻ•āĻžāϞ āĻĒāϰ⧇ āĻļā§āϰ⧀āϚ⧈āϤāĻ¨ā§āϝāĻ“ āϤāĻžāρāϰ āϧāĻ°ā§āĻŽāĻĒā§āϰāϚāĻžāϰ⧇āϰ āĻ•ā§āώ⧇āĻ¤ā§āϰ āĻšāĻŋāϏāĻžāĻŦ⧇ āϰāĻžā§āĻ­ā§‚āĻŽāĻŋ āϤāĻĨāĻž āĻāĻžā§œāĻ–āĻŖā§āĻĄāϕ⧇ āĻ—ā§āϰāĻšāĻŖ āĻ•āϰ⧇āĻ›āĻŋāϞ⧇āύāĨ¤ āϕ⧇āύ āĻŽāĻšāĻžāĻĒā§āϰāϭ⧁ āĻ…āĻŦāĻšā§‡āϞāĻŋāϤ āφāĻĻāĻŋāĻŦāĻžāϏ⧀ āĻ…āĻ§ā§āϝ⧁āώāĻŋāϤ āĻāĻžā§œāĻ–āĻŖā§āĻĄā§‡ āĻĒā§āϰ⧇āĻŽāϧāĻ°ā§āĻŽ āĻĒā§āϰāϚāĻžāϰ⧇āϰ āϜāĻ¨ā§āϝ āĻāϏ⧇āĻ›āĻŋāϞ⧇āύ, āϕ⧀ āϤāĻžāϰ āĻĒāϟāĻ­ā§‚āĻŽāĻŋ āφāϰ āϤāĻžāρāϰ āĻĒā§āϰāĻ­āĻžāĻŦāχ āĻŦāĻž āĻ•āϤ āĻ¸ā§āĻĨāĻžā§Ÿā§€ āĻšā§Ÿā§‡āĻ›āĻŋāĻ˛â€“ āϤāĻžāϰāχ āϐāϤāĻŋāĻšāĻžāϏāĻŋāĻ• āĻ“ āϤ⧁āϞāύāĻžāĻŽā§‚āϞāĻ• āφāϞ⧋āϚāύāĻž āĻāχ āĻ—ā§āϰāĻ¨ā§āĻĨ⧇āϰ āĻŦāĻŋāώ⧟āĨ¤

     160.00
  • āĻĒāĻžāωāϞ⧋ āĻĢā§āϰ⧇āχāϰāĻŋ
    āĻŽā§āĻ•ā§āϤāĻŋāϰ āϜāĻ¨ā§āϝ āϏāĻžāĻ‚āĻ¸ā§āĻ•ā§ƒāϤāĻŋāĻ• āĻĒā§āϰ⧟āĻžāĻ¸Â 

    āĻĒāĻžāωāϞ⧋ āĻĢā§āϰ⧇āχāϰāĻŋ-āϰ āĻļāĻŋāĻ•ā§āώāĻžāϚāĻŋāĻ¨ā§āϤāĻžāϰ āĻŽā§‚āϞ āĻ•āĻĨāĻž āĻšāĻ˛â€” āĻĒā§āϰāϤāĻŋāϟāĻŋ āĻŽāĻžāύ⧁āώ āĻāĻ•-āĻāĻ•āϟāĻŋ āĻ¸ā§āĻŦāϤāĻ¨ā§āĻ¤ā§āϰ āĻ¸ā§āĻŦāĻžāϧ⧀āύ āϏāĻ¤ā§āϤāĻž, āϝāĻŋāύāĻŋ āĻĒ⧃āĻĨāĻŋāĻŦā§€āϕ⧇ āĻĒāϰāĻŋāĻŦāĻ°ā§āϤāύ āĻ•āϰāϤ⧇ āĻĒāĻžāϰ⧇āύ āĻāĻŦāĻ‚ āύāϤ⧁āύ āĻ•āϰ⧇ āĻ—ā§œāϤ⧇ āĻĒāĻžāϰ⧇āύāĨ¤ āĻŽāĻžāύ⧁āώ⧇āϰ āĻšā§‡āϤāύāĻž āϰ⧂āĻĒ āĻĒāĻžā§Ÿ āφāĻ°ā§āĻĨ-āϏāĻžāĻŽāĻžāϜāĻŋāĻ• āĻ“ āϰāĻžāϜāύ⧈āϤāĻŋāĻ• āĻĒāϰāĻŋāĻ¸ā§āĻĨāĻŋāϤāĻŋ āφāϰ āĻŽāĻžāύ⧁āώāϟāĻŋāϰ āύāĻŋāϜāĻ¸ā§āĻŦ āĻĒāĻžāϰāĻŋāĻĒāĻžāĻ°ā§āĻļā§āĻŦāĻŋāϕ⧇āϰ āĻĒā§āϰāĻ­āĻžāĻŦ⧇āĨ¤ āϤāĻ¤ā§āĻ¤ā§āĻŦ-āĻ•āĻ°ā§āĻŽ-āϏāĻŽāĻ¨ā§āĻŦā§Ÿā§€ āĻŦāĻŋāĻļā§āϞ⧇āώāĻŖā§€ āĻšā§‡āϤāύāĻž āĻŽāĻžāύ⧁āώāϕ⧇ āĻ­āĻžāĻŦāύāĻž āĻĨ⧇āϕ⧇ āĻ•āĻžāĻœā§‡ āĻ…āĻ—ā§āϰāϏāϰ āĻšāϤ⧇ āĻļ⧇āĻ–āĻžā§ŸāĨ¤ āĻļā§‹āώāϕ⧇āϰ āφāϰ⧋āĻĒāĻŋāϤ āύ⧈āσāĻļāĻŦā§āĻĻā§āϝ⧇āϰ āϏāĻ‚āĻ¸ā§āĻ•ā§ƒāϤāĻŋ āύāĻŋāĻĒā§€ā§œāύ āϜāĻžāϰāĻŋ āϰāĻžāĻ–āϤ⧇ āϏāĻžāĻšāĻžāĻ¯ā§āϝ āĻ•āϰ⧇ āĻāĻŦāĻ‚ āĻŽāĻŋāĻĨā§āϝāĻž āĻ•āĻŋāϛ⧁ āĻ­āĻžāĻŦāύāĻžāϰ āĻŽāĻ§ā§āϝ⧇ āĻŽāĻžāύ⧁āώāϕ⧇ āφāϟāϕ⧇ āϰāĻžāϖ⧇āĨ¤ āĻœā§āĻžāĻžāύāĻžāĻ°ā§āϜāύ⧇āϰ āωāĻĻā§āĻĻ⧇āĻļā§āϝāχ āĻšāϞ āĻļāĻŋāĻ•ā§āώāĻžāĻ°ā§āĻĨā§€āϰ (āϏ⧇āχ āϏāĻ™ā§āϗ⧇ āĻļāĻŋāĻ•ā§āώāϕ⧇āϰāĻ“) āϤāĻ¤ā§āĻ¤ā§āĻŦ-āĻ•āĻ°ā§āĻŽ-āϏāĻŽāĻ¨ā§āĻŦā§Ÿā§€ āĻŦāĻŋāĻļā§āϞ⧇āώāĻŖā§€ āĻšā§‡āϤāύāĻžā§Ÿāύ⧇āϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āĻŦāĻžāĻ¸ā§āϤāĻŦ āĻœā§€āĻŦāύ⧇ āĻŽā§āĻ•ā§āϤāĻŋ āĻ…āĻ°ā§āϜāύ⧇āϰ āĻĒāĻĨ āĻ•āϰ⧇ āύ⧇āĻ“ā§ŸāĻž āĨ¤

    āĻĒāĻžāωāϞ⧋ āĻĢā§āϰ⧇āχāϰāĻŋ-āϕ⧇ āύāĻŋā§Ÿā§‡ āĻŦāĻŋāĻļā§āϞ⧇āώāĻŖāĻŽā§‚āϞāĻ• āĻ•āĻžāϜ āĻāĻ–āĻžāύ⧇ āĻŦāĻŋāĻļ⧇āώ āĻšā§ŸāύāĻŋāĨ¤ āϤāĻžāρāϰ āĻļāĻŋāĻ•ā§āώāĻžāϤāĻ¤ā§āĻ¤ā§āĻŦ⧇āϰ āĻĒā§āĻ°ā§Ÿā§‹āĻ—āĻ“ āϖ⧁āĻŦ āĻŦāĻŋāĻ¸ā§āϤāĻžāϰāĻŋāϤ āĻ“ āϏāĻ‚āĻ—āĻ āĻŋāϤ āĻ­āĻžāĻŦ⧇ āĻšā§ŸāύāĻŋāĨ¤ āĻŦāĻŋāĻĻā§āϝāĻžā§ŸāϤāύ⧇āϰ āĻ…āĻ¨ā§āĻĻāϰ⧇ āĻŦāϏ⧇ āĻ—āĻŦ⧇āώāĻŖāĻž āϝāĻĨ⧇āĻˇā§āϟ āύ⧟āĨ¤ āϤāĻžāρāϕ⧇ āύāĻŋā§Ÿā§‡ āϕ⧋āύ āĻ…āĻ°ā§āĻĨāĻĒā§‚āĻ°ā§āĻŖ āĻ•āĻžāϜ āĻ•āϰāϤ⧇ āϗ⧇āϞ⧇ āĻĻ⧇āĻ“ā§ŸāĻžāϞ⧇āϰ āĻŦāĻžāχāϰ⧇ āύāĻž āĻāϞ⧇ āϚāϞāĻŦ⧇ āύāĻžāĨ¤ āϤāĻž āύāĻž āĻšāϞ⧇ āĻŽā§‚āϞ āĻŦā§āϝāĻžāĻĒāĻžāϰāϟāĻžāχ āĻĨ⧇āϕ⧇ āϝāĻžāĻŦ⧇ āĻ…āϧāϰāĻžāĨ¤ āϏāĻŽāĻ¸ā§āϝāĻž āĻšāϞ, āĻĒā§āϰāĻĨāĻžāĻŦāĻšāĻŋāĻ°ā§āĻ­ā§‚āϤ āĻļāĻŋāĻ•ā§āώāĻžāĻ“ āĻāĻĻ⧇āĻļ⧇ āĻĒā§āϰāĻžāϤāĻŋāĻˇā§āĻ āĻžāύāĻŋāĻ• āĻšā§Ÿā§‡ āĻĒā§œā§‡āĨ¤ āĻĻāϰāĻ•āĻžāϰ āϚāĻŋāĻ¨ā§āϤāĻžāĻ­āĻžāĻŦāύāĻžāϕ⧇ āĻŦāĻžāĻ•ā§āϏ⧇āϰ āĻŦāĻžāχāϰ⧇ āύāĻŋā§Ÿā§‡ āφāϏāĻž, āϜāĻžāύāϞāĻž āĻĻāĻŋā§Ÿā§‡ āĻŦāĻžāχāϰ⧇ āϤāĻžāĻ•āĻžāύ⧋āĨ¤ ‘āĻļāĻŋāĻ•ā§āώāĻžāĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻžâ€™ āύāĻžāĻŽāĻ• āϜ⧜āĻĻā§â€ŒāĻ—āĻŦāϟāĻŋāϕ⧇ āĻ­āĻžāĻ™āϤ⧇ āĻšāϞ⧇, āĻĢā§āϰ⧇āχāϰāĻŋ-āϰ āĻļāĻŋāĻ•ā§āώāĻžāϚāĻŋāĻ¨ā§āϤāĻž āĻ…āĻ§ā§āϝ⧟āύ āĻ•āϰāĻž āϤāĻžāχ āϖ⧁āĻŦāχ āϜāϰ⧁āϰāĻŋāĨ¤ āϤāĻžāρāϰ āϏāĻŦ āĻŦāχ-āχ āĻĒ⧜āĻž āωāϚāĻŋāϤ, āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻĒā§āϰāĻĨāĻŽā§‡ āĻĒ⧜āĻž āωāϚāĻŋāϤ ‘āĻ•āĻžāϞāϚāĻžāϰāĻžāϞ āĻ…ā§āϝāĻžāĻ•āĻļāύ āĻĢāϰ āĻĢā§āϰāĻŋāĻĄāĻŽâ€™āĨ¤

    āĻŦāĻžāĻ™āĻžāϞāĻŋ āĻĒāĻžāĻ āϕ⧇āϰ āĻ•āĻžāϛ⧇ āĻĒāĻžāωāϞ⧋ āĻĢā§āϰ⧇āχāϰāĻŋ-āϕ⧇ āĻāϕ⧇āĻŦāĻžāϰ⧇ āĻ—ā§‹ā§œāĻž āĻĨ⧇āϕ⧇ āĻĒ⧌āρāϛ⧇ āĻĻ⧇āĻ“ā§ŸāĻžāϰ āϜāĻ¨ā§āϝāχ āĻāχ āĻŦāĻ‡ā§Ÿā§‡āϰ āĻĒāϰāĻŋāĻ•āĻ˛ā§āĻĒāύāĻžāĨ¤ āĻŦāĻžāĻ‚āϞāĻž āĻ­āĻžāώāĻžā§Ÿ āĻĢā§āϰ⧇āχāϰāĻŋ-āϰ āϞ⧇āĻ–āĻž āϏāĻžāĻŦāϞ⧀āϞ āĻ­āĻžāĻŦ⧇ āĻĒ⧌āρāϛ⧇ āĻĻ⧇āĻ“ā§ŸāĻžāϰ āĻŽā§‚āϞ āĻ•āĻžāϜāϟāĻŋ āĻ•āϰ⧇āϛ⧇āύ āϏāĻŦāĻŋāϤāĻž āĻŦāĻŋāĻļā§āĻŦāĻžāϏ āĻāĻŦāĻ‚ āĻ āĻŦāχ āϏāĻŽā§āĻĒāĻžāĻĻāύāĻž āĻ•āϰ⧇āϛ⧇āύ āϏāϞāĻŋāϞ āĻŦāĻŋāĻļā§āĻŦāĻžāϏ, āĻĻ⧁-āϜāύ⧇āχ āĻĒā§āϰāĻĨāĻžāĻŦāĻšāĻŋāĻ°ā§āĻ­ā§‚āϤ āĻļāĻŋāĻ•ā§āώāĻžāϰ āĻ•āĻžāĻœā§‡ āĻĻā§€āĻ°ā§āϘ āĻ…āĻ­āĻŋāĻœā§āĻžāϤāĻžāϏāĻŽā§āĻĒāĻ¨ā§āύāĨ¤

    āĻĒā§āϰāĻĨāĻŽ āϏāĻ‚āĻ¸ā§āĻ•āϰāĻŖ, āύāϤ⧁āύ āĻŽā§āĻĻā§āϰāĻŖ, ā§§ā§§ā§Ļ āĻĒ⧃āĻˇā§āĻ āĻž

     200.00
  • āĻ–ā§āϰāĻŋāĻ¸ā§āϤāĻ­ āĻ•āĻŋā§Ÿā§‡āϏāϞ⧋āĻ­āĻ¸ā§āĻ•āĻŋ
    āĻĒā§āϰ⧇āĻŽ āĻ“ āĻšāĻ¤ā§āϝāĻž
    āĻĻ⧁āϟāĻŋ āĻ›āĻŦāĻŋāϰ āϚāĻŋāĻ¤ā§āϰāύāĻžāĻŸā§āϝ/ āĻĒāϰāĻŋāϚāĻžāϞāϕ⧇āϰ āĻŦāĻ•ā§āϤāĻŦā§āϝ āĻ“ āϏāĻžāĻ•ā§āώāĻžā§ŽāĻ•āĻžāϰ

    ‘āĻĒā§āϰ⧇āĻŽâ€™ āĻ“ ‘āĻšāĻ¤ā§āϝāĻžâ€™ āύāĻŋā§Ÿā§‡ āĻāχ āĻĻ⧁āϟāĻŋ āϛ⧋āϟ āĻ›āĻŦāĻŋ āφāĻĻāϤ⧇ āĻ–ā§āϰāĻŋāĻ¸ā§āϤāĻ­ āĻ•āĻŋā§Ÿā§‡āϏāϞ⧋āĻ­āĻ¸ā§āĻ•āĻŋ āĻĒāϰāĻŋāϚāĻžāϞāĻŋāϤ āĻĒā§‹āϞāĻŋāĻļ āĻŸā§‡āϞāĻŋāĻ­āĻŋāĻļāύ⧇āϰ āϜāĻ¨ā§āϝ āϤ⧈āϰāĻŋ āĻĻāĻļāϟāĻŋ āĻ›āĻŦāĻŋāϰ āϏāĻŋāϰāĻŋāϜ ‘āĻĄā§‡āĻ•āĻžāϞāĻ—â€™-āĻāϰ āĻ…āĻ¨ā§āϤāĻ°ā§āĻ—āϤāĨ¤ āϤāĻžāϰ āĻŽāĻ§ā§āϝ⧇ āĻ āĻĻ⧁āϟāĻŋ āĻ›āĻŦāĻŋ (āĻĄā§‡āĻ•āĻžāϞāĻ— ā§Ģ āĻ“ ā§Ŧ) āĻāĻ•āχ āϏāĻ™ā§āϗ⧇ āϏāĻžāĻŽāĻžāĻ¨ā§āϝ āĻĒāϰāĻŋāĻŦāĻ°ā§āϤāύāϏāĻžāĻĒ⧇āĻ•ā§āώ⧇ ‘āφ āĻļāĻ°ā§āϟ āĻ¸ā§āĻŸā§‹āϰāĻŋ āĻ…ā§āϝāĻžāĻŦāĻžāωāϟ āϞāĻ­â€™ āĻāĻŦāĻ‚ ‘āφ āĻļāĻ°ā§āϟ āĻ¸ā§āĻŸā§‹āϰāĻŋ āĻ…ā§āϝāĻžāĻŦāĻžāωāϟ āĻ•āĻŋāϞāĻŋāĻ‚â€™ āύāĻžāĻŽā§‡ āĻ¸ā§āĻŦāϤāĻ¨ā§āĻ¤ā§āϰ āĻĻ⧁āϟāĻŋ āĻ•āĻžāĻšāĻŋāύāĻŋāϚāĻŋāĻ¤ā§āϰ āĻšāĻŋāϏ⧇āĻŦ⧇āĻ“ āύāĻŋāĻ°ā§āĻŽāĻŋāϤ āĻšā§ŸāĨ¤ āĻāĻ–āĻžāύ⧇ āĻĒā§āϰāĻ•āĻžāĻļāĻŋāϤ āĻĻ⧁āϟāĻŋ āϚāĻŋāĻ¤ā§āϰāύāĻžāĻŸā§āϝāχ āϐ āĻ•āĻžāĻšāĻŋāύāĻŋāϚāĻŋāĻ¤ā§āϰ⧇āϰāĨ¤ āĻāχ āϏāĻ‚āĻ•āϞāύ⧇ āφāϰāĻ“ āφāϛ⧇ ‘āĻĄā§‡āĻ•āĻžāϞāĻ—â€™ āύāĻŋā§Ÿā§‡ āĻĒāϰāĻŋāϚāĻžāϞāϕ⧇āϰ āĻĻ⧁āϟāĻŋ āϏāĻžāĻ•ā§āώāĻžā§ŽāĻ•āĻžāϰ āĻāĻŦāĻ‚ āφāϞāĻžāĻĻāĻž āĻ•āϰ⧇ āĻ āĻĻ⧁āϟāĻŋ āĻ›āĻŦāĻŋ āύāĻŋā§Ÿā§‡ āϤāĻžāρāϰ āĻŦāĻ•ā§āϤāĻŦā§āϝāĨ¤

    āĻĒāϰāĻŋāĻŦāĻ°ā§āϧāĻŋāϤ āĻĒā§āϰāĻĨāĻŽ āĻŦāχāĻĒāĻ¤ā§āϤāϰ āϏāĻ‚āĻ¸ā§āĻ•āϰāĻŖ / āύāϤ⧁āύ āĻŽā§āĻĻā§āϰāĻŖ, ā§§ā§§ā§Ē āĻĒ⧃āĻˇā§āĻ āĻž

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  • āĻļā§āϰ⧀āĻ—āĻŋāϰāĻŋāĻļāϚāĻ¨ā§āĻĻā§āϰ āĻŦ⧇āĻĻāĻžāĻ¨ā§āϤāϤ⧀āĻ°ā§āĻĨ
    āĻŦāĻ™ā§āϗ⧇ āĻĻ⧁āĻ°ā§āĻ—ā§‹ā§ŽāϏāĻŦ

    ā§§ā§Šā§Šā§Š āĻŦāĻ™ā§āĻ—āĻžāĻŦā§āĻĻ⧇ āĻĒā§āϰāĻ•āĻžāĻļāĻŋāϤ āĻāχ āĻĒ⧁āĻ¸ā§āϤāϕ⧇āϰ āύāĻŋāĻŦ⧇āĻĻāύ āĻ…āĻ‚āĻļ⧇ āĻ—āĻŋāϰāĻŋāĻļāϚāĻ¨ā§āĻĻā§āϰ āĻŦ⧇āĻĻāĻžāĻ¨ā§āϤāϤ⧀āĻ°ā§āĻĨ āϞāĻŋāϖ⧇āĻ›āĻŋāϞ⧇āύ, “āĻŦāĻžāĻ™ā§āĻ—āĻžāϞ⧀ āĻĒāĻžāĻ āĻ•āĻĒāĻžāĻ āĻŋāĻ•āĻžāĻ—āĻŖ āχāĻšāĻž āĻĒāĻžāĻ  āĻ•āϰāĻŋ⧟āĻž āĻĻ⧁āĻ°ā§āĻ—āĻžāĻĒā§‚āϜāĻžâ€“āϰāĻšāĻ¸ā§āϝ āĻ“ āĻŦāĻžāĻ™ā§āĻ—āĻžāϞ⧀āϰ āĻĒ⧁āϰāĻžāϤāύ āĻ…āĻŦāĻ¸ā§āĻĨāĻž āĻ•āĻŋā§Ÿā§ŽāĻĒāϰāĻŋāĻŽāĻžāϪ⧇ āĻĒāϰāĻŋāĻœā§āĻžāĻžāϤ āĻšāχāϞ⧇āĻ“ āĻ¸ā§āĻŦāĻ•ā§€ā§Ÿ āĻĒāϰāĻŋāĻļā§āϰāĻŽâ€Ļ āϏāĻĢāϞ āĻŽāύ⧇ āĻ•āϰāĻŋāĻŦāĨ¤â€

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